Mockery as a special type of laugher in the prose of Leonid Andreev

Examines the nature of mocking laughter in the oeuvre of Leonid Andreev, defines the specifics of ridicule situations, names the participants and the possible development and resolution of the storyline. The first part of the article defines a special type of laughter - ridicule, and also examines t...

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Main Author: Alisa V. Mytareva
Format: Article
Language:English
Published: Peoples’ Friendship University of Russia (RUDN University) 2024-12-01
Series:RUDN Journal of Studies in Literature and Journalism
Subjects:
Online Access:https://journals.rudn.ru/literary-criticism/article/viewFile/42292/24344
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author Alisa V. Mytareva
author_facet Alisa V. Mytareva
author_sort Alisa V. Mytareva
collection DOAJ
description Examines the nature of mocking laughter in the oeuvre of Leonid Andreev, defines the specifics of ridicule situations, names the participants and the possible development and resolution of the storyline. The first part of the article defines a special type of laughter - ridicule, and also examines the antithesis proposed by L.V. Karasev, “laughter - shame”. Through which the object of ridicule is characterized. The subject of research in the second part of the article is the functioning of laughter in the novels of Leonid Andreev. Using the examples of the stories Buyanikha and Laughter , it is shown that the situation of ridicule can underlie the plot and determine its development. The fear of being ridiculed is one of the significant psychological motivations that determine the behavior of L. Andreev’s heroes. In addition, the heroes endow the unknown force that influences their lives with the ability to laugh. Marking Doom, as represented by the characters, makes it more understandable, visible, and therefore surmountable. Finally, the final part examines how the picture of the “anti-world” is created, the main feature of which is ridicule. Unlike V.Ya. Propp, who argued that the object of ridicule can be everything except the area of suffering, Leonid Andreev constructs a model of the anti-world, where it is the area of suffering that is ridiculed. The ironic state of the world in relation to the hero ( Suitcases ) is perceived as unstable, and therefore unsafe. The idea of variability, the deceptiveness of the world is reflected in the depiction of necrospace in the story Peace . At the end, a conclusion is made about the connection between the themes of death and laughter in the artistic world of L. Andreev, as a distinctive feature of the writer’s work.
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spelling doaj-art-5bf36ba51f734b099311a13d7d4ab3bd2025-01-09T07:50:12ZengPeoples’ Friendship University of Russia (RUDN University)RUDN Journal of Studies in Literature and Journalism2312-92202312-92472024-12-0129472673710.22363/2312-9220-2024-29-3-726-73721094Mockery as a special type of laugher in the prose of Leonid AndreevAlisa V. Mytareva0https://orcid.org/0000-0001-5323-7405HSE UniversityExamines the nature of mocking laughter in the oeuvre of Leonid Andreev, defines the specifics of ridicule situations, names the participants and the possible development and resolution of the storyline. The first part of the article defines a special type of laughter - ridicule, and also examines the antithesis proposed by L.V. Karasev, “laughter - shame”. Through which the object of ridicule is characterized. The subject of research in the second part of the article is the functioning of laughter in the novels of Leonid Andreev. Using the examples of the stories Buyanikha and Laughter , it is shown that the situation of ridicule can underlie the plot and determine its development. The fear of being ridiculed is one of the significant psychological motivations that determine the behavior of L. Andreev’s heroes. In addition, the heroes endow the unknown force that influences their lives with the ability to laugh. Marking Doom, as represented by the characters, makes it more understandable, visible, and therefore surmountable. Finally, the final part examines how the picture of the “anti-world” is created, the main feature of which is ridicule. Unlike V.Ya. Propp, who argued that the object of ridicule can be everything except the area of suffering, Leonid Andreev constructs a model of the anti-world, where it is the area of suffering that is ridiculed. The ironic state of the world in relation to the hero ( Suitcases ) is perceived as unstable, and therefore unsafe. The idea of variability, the deceptiveness of the world is reflected in the depiction of necrospace in the story Peace . At the end, a conclusion is made about the connection between the themes of death and laughter in the artistic world of L. Andreev, as a distinctive feature of the writer’s work.https://journals.rudn.ru/literary-criticism/article/viewFile/42292/24344ironyplotantithesisprosestorypsychologismanti-worldhero
spellingShingle Alisa V. Mytareva
Mockery as a special type of laugher in the prose of Leonid Andreev
RUDN Journal of Studies in Literature and Journalism
irony
plot
antithesis
prose
story
psychologism
anti-world
hero
title Mockery as a special type of laugher in the prose of Leonid Andreev
title_full Mockery as a special type of laugher in the prose of Leonid Andreev
title_fullStr Mockery as a special type of laugher in the prose of Leonid Andreev
title_full_unstemmed Mockery as a special type of laugher in the prose of Leonid Andreev
title_short Mockery as a special type of laugher in the prose of Leonid Andreev
title_sort mockery as a special type of laugher in the prose of leonid andreev
topic irony
plot
antithesis
prose
story
psychologism
anti-world
hero
url https://journals.rudn.ru/literary-criticism/article/viewFile/42292/24344
work_keys_str_mv AT alisavmytareva mockeryasaspecialtypeoflaugherintheproseofleonidandreev