GAME PHERSU: PRO ET CONTRA
<p>Having examined the frescoes from Tarquinia: the Tomb of Augurs, the Tomb of the Pulcinella, and the Tomb of the Olympiads dated back to the sixth century BCE that depict scenes with a personage Phersu, the author deals with Etruscan inscriptions, data of the Antique tradition about origin...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
Mega Publishing House
2015-03-01
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| Series: | Journal of Ancient History and Archaeology |
| Subjects: | |
| Online Access: | https://jaha.org.ro/index.php/JAHA/article/view/86 |
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| Summary: | <p>Having examined the frescoes from Tarquinia: the Tomb of Augurs, the Tomb of the Pulcinella, and the Tomb of the Olympiads dated back to the sixth century BCE that depict scenes with a personage Phersu, the author deals with Etruscan inscriptions, data of the Antique tradition about origin of scenic and gladiatorial games, as well as a number of interpretations of these scenes to prove that the Etruscan ritual ‘game Phersu’ is a prototype of the Roman gladiatorial games and ‘venatio’. Being a part of Etruscan funeral rite, the ritual game was a substitutive sacrifice that symbolised a fight of a human being against the demon of death Calu – an abductor of souls from the world of the living. The fight was supposed to be guided by an invisible and disguised power, being personified in the image of Phersu.<strong></strong></p><p> </p> |
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| ISSN: | 2360-266X |