Pelayo: arqueología y usos de la imagen desde la perspectiva queer

This article shows the use of the figure of Pelayo in three precise historical moments: the Middle Ages, in which the martyrdom of the saint is written; the 16th century, in which the images of the altarpiece of Saint Pelayo were created, coinciding with the proclamation of the Pragmática against so...

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Main Author: Javier Cuevas del Barrio
Format: Article
Language:fra
Published: Centre d´Histoire et Théorie des Arts 2020-10-01
Series:Images Re-Vues
Subjects:
Online Access:https://journals.openedition.org/imagesrevues/8276
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author Javier Cuevas del Barrio
author_facet Javier Cuevas del Barrio
author_sort Javier Cuevas del Barrio
collection DOAJ
description This article shows the use of the figure of Pelayo in three precise historical moments: the Middle Ages, in which the martyrdom of the saint is written; the 16th century, in which the images of the altarpiece of Saint Pelayo were created, coinciding with the proclamation of the Pragmática against sodomy by the Catholic Kings; and the Spanish civil war and the first Francoism, when the altarpiece arrives in the city of Málaga, and the figure of Pelayo takes on new meanings as evidenced by comics and cinema. Methodologically, this article proposes homosexual/queer readings of the figure of Pelayo, linking with the Anglo-Saxon tradition of Queer Iberia, a tradition that, starting with Américo Castro, reviews the literature produced in the Iberian Middle Ages from a queer perspective
format Article
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publisher Centre d´Histoire et Théorie des Arts
record_format Article
series Images Re-Vues
spelling doaj-art-5af367229daf4013951e528e0c3d666b2025-08-20T02:34:16ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012020-10-011710.4000/imagesrevues.8276Pelayo: arqueología y usos de la imagen desde la perspectiva queerJavier Cuevas del BarrioThis article shows the use of the figure of Pelayo in three precise historical moments: the Middle Ages, in which the martyrdom of the saint is written; the 16th century, in which the images of the altarpiece of Saint Pelayo were created, coinciding with the proclamation of the Pragmática against sodomy by the Catholic Kings; and the Spanish civil war and the first Francoism, when the altarpiece arrives in the city of Málaga, and the figure of Pelayo takes on new meanings as evidenced by comics and cinema. Methodologically, this article proposes homosexual/queer readings of the figure of Pelayo, linking with the Anglo-Saxon tradition of Queer Iberia, a tradition that, starting with Américo Castro, reviews the literature produced in the Iberian Middle Ages from a queer perspectivehttps://journals.openedition.org/imagesrevues/8276WarburgQueer TheoryHomoerotismPelagius
spellingShingle Javier Cuevas del Barrio
Pelayo: arqueología y usos de la imagen desde la perspectiva queer
Images Re-Vues
Warburg
Queer Theory
Homoerotism
Pelagius
title Pelayo: arqueología y usos de la imagen desde la perspectiva queer
title_full Pelayo: arqueología y usos de la imagen desde la perspectiva queer
title_fullStr Pelayo: arqueología y usos de la imagen desde la perspectiva queer
title_full_unstemmed Pelayo: arqueología y usos de la imagen desde la perspectiva queer
title_short Pelayo: arqueología y usos de la imagen desde la perspectiva queer
title_sort pelayo arqueologia y usos de la imagen desde la perspectiva queer
topic Warburg
Queer Theory
Homoerotism
Pelagius
url https://journals.openedition.org/imagesrevues/8276
work_keys_str_mv AT javiercuevasdelbarrio pelayoarqueologiayusosdelaimagendesdelaperspectivaqueer