Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji
Transforming Memory: Found Footage as a Mechanism of Cultural Reinterpretation The article is about the role of found footage in shaping the consciousness of the modern spectator in relation to historical cinematographic creations. The meaning and signifi cance of interpretation, as well as the ae...
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| Format: | Article |
| Language: | English |
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Adam Mickiewicz University Press
2015-06-01
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| Series: | Images |
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| Online Access: | https://pressto.amu.edu.pl/index.php/i/article/view/5144 |
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| _version_ | 1850144229331828736 |
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| author | Marta Giec |
| author_facet | Marta Giec |
| author_sort | Marta Giec |
| collection | DOAJ |
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Transforming Memory: Found Footage as a Mechanism of Cultural Reinterpretation
The article is about the role of found footage in shaping the consciousness of the modern spectator in relation to historical cinematographic creations. The meaning and signifi cance of interpretation, as well as the aesthetics of experimental movies, shatter myths about classical narration and the understanding of film in its social normative role. Chosen films by Bill Morrison, Fabio Scacchioli and Peter Tscherkassky are analyzed in order to outline this issue.
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| format | Article |
| id | doaj-art-599c66d182ac40de8ee6830e3a087e36 |
| institution | OA Journals |
| issn | 1731-450X 2720-040X |
| language | English |
| publishDate | 2015-06-01 |
| publisher | Adam Mickiewicz University Press |
| record_format | Article |
| series | Images |
| spelling | doaj-art-599c66d182ac40de8ee6830e3a087e362025-08-20T02:28:27ZengAdam Mickiewicz University PressImages1731-450X2720-040X2015-06-01172610.14746/i.2015.26.05Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacjiMarta Giec0Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. Leona Schillera w Łodzi Transforming Memory: Found Footage as a Mechanism of Cultural Reinterpretation The article is about the role of found footage in shaping the consciousness of the modern spectator in relation to historical cinematographic creations. The meaning and signifi cance of interpretation, as well as the aesthetics of experimental movies, shatter myths about classical narration and the understanding of film in its social normative role. Chosen films by Bill Morrison, Fabio Scacchioli and Peter Tscherkassky are analyzed in order to outline this issue. https://pressto.amu.edu.pl/index.php/i/article/view/5144found footagefilmtechnologyexperimentmemorytime |
| spellingShingle | Marta Giec Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji Images found footage film technology experiment memory time |
| title | Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji |
| title_full | Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji |
| title_fullStr | Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji |
| title_full_unstemmed | Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji |
| title_short | Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji |
| title_sort | przeksztalcanie pamieci found footage jak machina kulturowej reinterpretacji |
| topic | found footage film technology experiment memory time |
| url | https://pressto.amu.edu.pl/index.php/i/article/view/5144 |
| work_keys_str_mv | AT martagiec przekształcaniepamiecifoundfootagejakmachinakulturowejreinterpretacji |