Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji

Transforming Memory: Found Footage as a Mechanism of Cultural Reinterpretation The article is about the role of found footage in shaping the consciousness of the modern spectator in relation to historical cinematographic creations. The meaning and signifi cance of interpretation, as well as the ae...

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Main Author: Marta Giec
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2015-06-01
Series:Images
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/5144
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author Marta Giec
author_facet Marta Giec
author_sort Marta Giec
collection DOAJ
description Transforming Memory: Found Footage as a Mechanism of Cultural Reinterpretation The article is about the role of found footage in shaping the consciousness of the modern spectator in relation to historical cinematographic creations. The meaning and signifi cance of interpretation, as well as the aesthetics of experimental movies, shatter myths about classical narration and the understanding of film in its social normative role. Chosen films by Bill Morrison, Fabio Scacchioli and Peter Tscherkassky are analyzed in order to outline this issue.
format Article
id doaj-art-599c66d182ac40de8ee6830e3a087e36
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publishDate 2015-06-01
publisher Adam Mickiewicz University Press
record_format Article
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spelling doaj-art-599c66d182ac40de8ee6830e3a087e362025-08-20T02:28:27ZengAdam Mickiewicz University PressImages1731-450X2720-040X2015-06-01172610.14746/i.2015.26.05Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacjiMarta Giec0Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. Leona Schillera w Łodzi Transforming Memory: Found Footage as a Mechanism of Cultural Reinterpretation The article is about the role of found footage in shaping the consciousness of the modern spectator in relation to historical cinematographic creations. The meaning and signifi cance of interpretation, as well as the aesthetics of experimental movies, shatter myths about classical narration and the understanding of film in its social normative role. Chosen films by Bill Morrison, Fabio Scacchioli and Peter Tscherkassky are analyzed in order to outline this issue. https://pressto.amu.edu.pl/index.php/i/article/view/5144found footagefilmtechnologyexperimentmemorytime
spellingShingle Marta Giec
Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji
Images
found footage
film
technology
experiment
memory
time
title Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji
title_full Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji
title_fullStr Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji
title_full_unstemmed Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji
title_short Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji
title_sort przeksztalcanie pamieci found footage jak machina kulturowej reinterpretacji
topic found footage
film
technology
experiment
memory
time
url https://pressto.amu.edu.pl/index.php/i/article/view/5144
work_keys_str_mv AT martagiec przekształcaniepamiecifoundfootagejakmachinakulturowejreinterpretacji