From one audible past to another, the same listening protocol?

To initiate scientific dialogue between the members of the project L'écoute du théâtre [ECHO] (UMR THALIM) and the team Arquivos Sonoros de Teatro (University of São Paulo and FAPESP-São Paulo Research Foundation), this article addresses a delicate question that the Franco-Brazilian partnershi...

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Main Author: Marie-Madeleine Mervant-Roux
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2024-12-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/144517
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author Marie-Madeleine Mervant-Roux
author_facet Marie-Madeleine Mervant-Roux
author_sort Marie-Madeleine Mervant-Roux
collection DOAJ
description To initiate scientific dialogue between the members of the project L'écoute du théâtre [ECHO] (UMR THALIM) and the team Arquivos Sonoros de Teatro (University of São Paulo and FAPESP-São Paulo Research Foundation), this article addresses a delicate question that the Franco-Brazilian partnership can illuminate: to what extent can the concepts and methods of Sound Studies and French work on sound facilitate understanding of other cultures, while enriching understanding of one's own? Taking into consideration Sterne’s own reflections in his book, The Audible Past, I shall call on our extensive experience to propose the beginning of a response and a work program.
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series Revista Brasileira de Estudos da Presença
spelling doaj-art-596239d7753c4f2e88beddbabb8e3f8f2025-08-20T01:57:11ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602024-12-01144 From one audible past to another, the same listening protocol?Marie-Madeleine Mervant-Roux0Centre National de la Recherche Scientifique – CNRS, Paris, France To initiate scientific dialogue between the members of the project L'écoute du théâtre [ECHO] (UMR THALIM) and the team Arquivos Sonoros de Teatro (University of São Paulo and FAPESP-São Paulo Research Foundation), this article addresses a delicate question that the Franco-Brazilian partnership can illuminate: to what extent can the concepts and methods of Sound Studies and French work on sound facilitate understanding of other cultures, while enriching understanding of one's own? Taking into consideration Sterne’s own reflections in his book, The Audible Past, I shall call on our extensive experience to propose the beginning of a response and a work program. https://seer.ufrgs.br/index.php/presenca/article/view/144517 Cultural (history)ListeningScientific (method)Sound (archive)Theater (sound of)
spellingShingle Marie-Madeleine Mervant-Roux
From one audible past to another, the same listening protocol?
Revista Brasileira de Estudos da Presença
Cultural (history)
Listening
Scientific (method)
Sound (archive)
Theater (sound of)
title From one audible past to another, the same listening protocol?
title_full From one audible past to another, the same listening protocol?
title_fullStr From one audible past to another, the same listening protocol?
title_full_unstemmed From one audible past to another, the same listening protocol?
title_short From one audible past to another, the same listening protocol?
title_sort from one audible past to another the same listening protocol
topic Cultural (history)
Listening
Scientific (method)
Sound (archive)
Theater (sound of)
url https://seer.ufrgs.br/index.php/presenca/article/view/144517
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