Tiborc a boncasztalon. Storyline-ok használata az átírás során
Tiborc on the Autopsy Table. Using Storylines in Transcription The plot of a play is never an untangled Gordian knot but rather a web, a multitude of threads: stories interwoven. If we want to change the play, we have to go back to the basics: we have to break the plot down into story threads. This...
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| Format: | Article |
| Language: | English |
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2023-10-01
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| Series: | Symbolon |
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| Online Access: | https://uartpress.ro/journals/index.php/symbolon/article/view/429 |
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| author | Mohácsi István |
| author_facet | Mohácsi István |
| author_sort | Mohácsi István |
| collection | DOAJ |
| description | Tiborc on the Autopsy Table. Using Storylines in Transcription
The plot of a play is never an untangled Gordian knot but rather a web, a multitude of threads: stories interwoven. If we want to change the play, we have to go back to the basics: we have to break the plot down into story threads. This is part of a logical system. In the rewrite, we use three basic rules to ensure that the characters follow the most tragic path possible throughout the play. I take an example of this from Bank Ban, the first of Hungarian national plays. Looking at Tiborc’s four scenes, we find that Tiborc is a very simple character, not changing at all throughout the play. By going through the three basic rules of rewriting, I will show how Tiborc’s character can be changed and made tragic in a way that does not actually change the play as a whole, rather, it makes it stronger. |
| format | Article |
| id | doaj-art-594c103dadd84480a41f1037a99a0f89 |
| institution | OA Journals |
| issn | 1582-327X 2344-4460 |
| language | English |
| publishDate | 2023-10-01 |
| publisher | UArtPres |
| record_format | Article |
| series | Symbolon |
| spelling | doaj-art-594c103dadd84480a41f1037a99a0f892025-08-20T02:11:04ZengUArtPresSymbolon1582-327X2344-44602023-10-0124Special11912510.46522/S.2023.S1.10429Tiborc a boncasztalon. Storyline-ok használata az átírás soránMohácsi IstvánTiborc on the Autopsy Table. Using Storylines in Transcription The plot of a play is never an untangled Gordian knot but rather a web, a multitude of threads: stories interwoven. If we want to change the play, we have to go back to the basics: we have to break the plot down into story threads. This is part of a logical system. In the rewrite, we use three basic rules to ensure that the characters follow the most tragic path possible throughout the play. I take an example of this from Bank Ban, the first of Hungarian national plays. Looking at Tiborc’s four scenes, we find that Tiborc is a very simple character, not changing at all throughout the play. By going through the three basic rules of rewriting, I will show how Tiborc’s character can be changed and made tragic in a way that does not actually change the play as a whole, rather, it makes it stronger.https://uartpress.ro/journals/index.php/symbolon/article/view/429storylineadaptationdramaturgytiborcbánk bán |
| spellingShingle | Mohácsi István Tiborc a boncasztalon. Storyline-ok használata az átírás során Symbolon storyline adaptation dramaturgy tiborc bánk bán |
| title | Tiborc a boncasztalon. Storyline-ok használata az átírás során |
| title_full | Tiborc a boncasztalon. Storyline-ok használata az átírás során |
| title_fullStr | Tiborc a boncasztalon. Storyline-ok használata az átírás során |
| title_full_unstemmed | Tiborc a boncasztalon. Storyline-ok használata az átírás során |
| title_short | Tiborc a boncasztalon. Storyline-ok használata az átírás során |
| title_sort | tiborc a boncasztalon storyline ok hasznalata az atiras soran |
| topic | storyline adaptation dramaturgy tiborc bánk bán |
| url | https://uartpress.ro/journals/index.php/symbolon/article/view/429 |
| work_keys_str_mv | AT mohacsiistvan tiborcaboncasztalonstorylineokhasznalataazatirassoran |