Partition pour mains fantômes

This article explores the work of the hand in the animation studios and questions the changes implied by the “digitalisation” of the hand in a field where the hand remains the privileged interface of conception. In the history of cinema, animation studios quickly adopted a taylorist organisation, in...

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Bibliographic Details
Main Author: Emmanuel Grimaud
Format: Article
Language:fra
Published: Société d'Anthropologie des Connaissances 2012-03-01
Series:Revue d'anthropologie des connaissances
Subjects:
Online Access:https://journals.openedition.org/rac/12757
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