« My dear audacious Moore » : les poses de l’artiste décadent dans Confessions of a Young Man
In George Moore’s Confessions of a Young Man, published in 1886 at the beginning of Moore’s career, audacity, which is manifested both in the story and in the telling, verges on iconoclasm yet also appears as a pose. The discovery of Impressionism, of Naturalism and of the Decadent movement constitu...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2012-06-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cve/1668 |
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