Chien, chèvre, taureau, couvée, ou le personnage de théâtre à l’épreuve du bestiaire johnstonien
According to Hamlet, drama aims to “hold […] the mirror up to nature”. Yet such a task has become quite a challenge since the 20th century, as history keeps unsettling the very notion of human nature. Denis Johnston’s attempt to explore that nature on the stage therefore led him to unsettle that poe...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2016-07-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/4540 |
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