Leer por el lado de Chivilcoy: la des-composición de Hernán Ronsino en el pueblo de Sarmiento
I propose to read, or rather to ruminate, on how Hernán Ronsino’s so called “Pampean trilogy” appropriates Sarmiento’s Chivilcoy, in order to re-narrate this space and to construct it as his own “unit of place”. In other words, in this article, I read Ronsino’s Chivilcoy and the archive he inscribes...
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| Main Author: | |
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| Format: | Article |
| Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2019-07-01
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| Series: | Cuadernos LIRICO |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lirico/8488 |
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| Summary: | I propose to read, or rather to ruminate, on how Hernán Ronsino’s so called “Pampean trilogy” appropriates Sarmiento’s Chivilcoy, in order to re-narrate this space and to construct it as his own “unit of place”. In other words, in this article, I read Ronsino’s Chivilcoy and the archive he inscribes in relation to this cultural place to observe how he engages in a dialogue with Sarmiento’s own construction. By reading Ronsino’s Chivilcoy in relation to Sarmiento’s, I try to reflect on the cultural archive we call Argentina. In particular, I focus on Lumbre —the latest novel of the cycle and the most extensive one— as a mechanism of de-composition that deconstructs a space that Sarmiento identified as the key to imagining his vision of modernization and progress. |
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| ISSN: | 2262-8339 |