ASPECTS OF THE VOCAL-SYMPHONIC GENRE
The vocal-symphonic genre is expressed by employing an apparatus that includes the orchestra, the choir and the soloists. It is to be found in several instances: the musical theatre – opera; without means of theatrical expression – oratorio, and cantata. The borderline between oratorio and cantata...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2011-06-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8894 |
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| _version_ | 1823858480949231616 |
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| author | Lucian GHIŞA |
| author_facet | Lucian GHIŞA |
| author_sort | Lucian GHIŞA |
| collection | DOAJ |
| description |
The vocal-symphonic genre is expressed by employing an apparatus that includes the orchestra, the choir and the soloists. It is to be found in several instances: the musical theatre – opera; without means of theatrical expression – oratorio, and cantata. The borderline between oratorio and cantata is placed in embracing lyrical and epical aspects – in the case of the cantata – or dramatic – in the case of the oratorio. The oratorio is divided in two categories according to the text: the secular and religious oratorio. The religious oratorio has several subgenres given by the use of a pre-established text: Requiem, Mass, Passion, Te Deum, Stabat Mater, and others.
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| format | Article |
| id | doaj-art-5682b9b0e2d84b31b55309dfa02ab78e |
| institution | Kabale University |
| issn | 1844-4369 2065-9628 |
| language | English |
| publishDate | 2011-06-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj-art-5682b9b0e2d84b31b55309dfa02ab78e2025-02-11T11:01:38ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282011-06-01561ASPECTS OF THE VOCAL-SYMPHONIC GENRELucian GHIŞA0https://orcid.org/0000-0002-3359-7072“Gheorghe Dima” Music Academy Cluj-Napoca, PhD. Referent, lucianghisa@yahoo.com The vocal-symphonic genre is expressed by employing an apparatus that includes the orchestra, the choir and the soloists. It is to be found in several instances: the musical theatre – opera; without means of theatrical expression – oratorio, and cantata. The borderline between oratorio and cantata is placed in embracing lyrical and epical aspects – in the case of the cantata – or dramatic – in the case of the oratorio. The oratorio is divided in two categories according to the text: the secular and religious oratorio. The religious oratorio has several subgenres given by the use of a pre-established text: Requiem, Mass, Passion, Te Deum, Stabat Mater, and others. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8894vocal-symphonicoratoriocantatasubgenre |
| spellingShingle | Lucian GHIŞA ASPECTS OF THE VOCAL-SYMPHONIC GENRE Studia Universitatis Babeş-Bolyai. Musica vocal-symphonic oratorio cantata subgenre |
| title | ASPECTS OF THE VOCAL-SYMPHONIC GENRE |
| title_full | ASPECTS OF THE VOCAL-SYMPHONIC GENRE |
| title_fullStr | ASPECTS OF THE VOCAL-SYMPHONIC GENRE |
| title_full_unstemmed | ASPECTS OF THE VOCAL-SYMPHONIC GENRE |
| title_short | ASPECTS OF THE VOCAL-SYMPHONIC GENRE |
| title_sort | aspects of the vocal symphonic genre |
| topic | vocal-symphonic oratorio cantata subgenre |
| url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8894 |
| work_keys_str_mv | AT lucianghisa aspectsofthevocalsymphonicgenre |