Historical Elements and Cyprus in Âşık (Minstrel) Kenzî’s Poems

Artists generally use their homelands and the historical and cultural elements of the societies they belong to as subjects of their poems. Âşık Kenzî, known as the only public poet of the Turkish Cypriots, enriched his poems with some elements he chose from Cyprus, the island where he was born, the...

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Main Authors: Burak Gökbulut, Mustafa Yeniasır
Format: Article
Language:English
Published: Istanbul University Press 2024-08-01
Series:İstanbul Üniversitesi Edebiyat Fakültesi Türk Dili ve Edebiyatı Dergisi
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Online Access:https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/E0869CCB290E487EA714074096E5E58E
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author Burak Gökbulut
Mustafa Yeniasır
author_facet Burak Gökbulut
Mustafa Yeniasır
author_sort Burak Gökbulut
collection DOAJ
description Artists generally use their homelands and the historical and cultural elements of the societies they belong to as subjects of their poems. Âşık Kenzî, known as the only public poet of the Turkish Cypriots, enriched his poems with some elements he chose from Cyprus, the island where he was born, the Rumelian geography where he visited, and the Ottoman culture and history to which he belonged. Although he prefers to use orotund language, usually choosing Arabic–Persian words, he became one of the rare names who managed to reach readers from all walks of life, particularly by using simpler language in his epics. Despite being a public poet, Kenzî was closer to divan poetry and wanted to be remembered as an official poet. He reflected his mastery in some of his poems; however, he generally experienced difficulty in this sense and could not fully achieve the success he wanted. Kenzî did not use the syllabic method much, except for a few poems, songs, and epics. He mostly used prosody (aruz) and prosody folk poetry forms and enriched his poems with several historical elements he chose from Cyprus, particularly the Ottoman culture. Âşık Kenzî maintained his ties with Cyprus even when he left the island, and in his poems, he touched upon the personalities who did important work in Cyprus and the settlements of Cyprus. Âşık Kenzî also gave extensive space to the Balkan, Thrace, and Maghreb geographies. He used historical figures, particularly those who lived in the Balkans, Thrace, and Cyprus. Known as an Ottoman–Balkan poet of Cypriot origin, he built his world of poetry entirely on these, without being indifferent to the important historical events of the period in which he lived.
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spelling doaj-art-55f9818bb079491cb2beebb54853b2792025-08-20T02:31:08ZengIstanbul University Pressİstanbul Üniversitesi Edebiyat Fakültesi Türk Dili ve Edebiyatı Dergisi2602-26482024-08-0164233334710.26650/TUDED2024-1373644123456Historical Elements and Cyprus in Âşık (Minstrel) Kenzî’s PoemsBurak Gökbulut0https://orcid.org/0000-0003-3968-9207Mustafa Yeniasır1https://orcid.org/0000-0002-9196-1805Yakın Doğu Üniversitesi, Nicosia, CyprusYakın Doğu Üniversitesi, Nicosia, CyprusArtists generally use their homelands and the historical and cultural elements of the societies they belong to as subjects of their poems. Âşık Kenzî, known as the only public poet of the Turkish Cypriots, enriched his poems with some elements he chose from Cyprus, the island where he was born, the Rumelian geography where he visited, and the Ottoman culture and history to which he belonged. Although he prefers to use orotund language, usually choosing Arabic–Persian words, he became one of the rare names who managed to reach readers from all walks of life, particularly by using simpler language in his epics. Despite being a public poet, Kenzî was closer to divan poetry and wanted to be remembered as an official poet. He reflected his mastery in some of his poems; however, he generally experienced difficulty in this sense and could not fully achieve the success he wanted. Kenzî did not use the syllabic method much, except for a few poems, songs, and epics. He mostly used prosody (aruz) and prosody folk poetry forms and enriched his poems with several historical elements he chose from Cyprus, particularly the Ottoman culture. Âşık Kenzî maintained his ties with Cyprus even when he left the island, and in his poems, he touched upon the personalities who did important work in Cyprus and the settlements of Cyprus. Âşık Kenzî also gave extensive space to the Balkan, Thrace, and Maghreb geographies. He used historical figures, particularly those who lived in the Balkans, Thrace, and Cyprus. Known as an Ottoman–Balkan poet of Cypriot origin, he built his world of poetry entirely on these, without being indifferent to the important historical events of the period in which he lived.https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/E0869CCB290E487EA714074096E5E58Ecyprusâşık (minstrel) kenzîhistoryottomanbalkan
spellingShingle Burak Gökbulut
Mustafa Yeniasır
Historical Elements and Cyprus in Âşık (Minstrel) Kenzî’s Poems
İstanbul Üniversitesi Edebiyat Fakültesi Türk Dili ve Edebiyatı Dergisi
cyprus
âşık (minstrel) kenzî
history
ottoman
balkan
title Historical Elements and Cyprus in Âşık (Minstrel) Kenzî’s Poems
title_full Historical Elements and Cyprus in Âşık (Minstrel) Kenzî’s Poems
title_fullStr Historical Elements and Cyprus in Âşık (Minstrel) Kenzî’s Poems
title_full_unstemmed Historical Elements and Cyprus in Âşık (Minstrel) Kenzî’s Poems
title_short Historical Elements and Cyprus in Âşık (Minstrel) Kenzî’s Poems
title_sort historical elements and cyprus in asik minstrel kenzi s poems
topic cyprus
âşık (minstrel) kenzî
history
ottoman
balkan
url https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/E0869CCB290E487EA714074096E5E58E
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