Culture, empire, and the postcolony

This article traces the relationship between culture, empire and the ‘postcolony’, focusing on the relationship between France and its former sub-Saharan African colonies. The first section examines the ongoing legacy of empire in France itself, which has been the subject of heated academic and poli...

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Main Author: David Murphy
Format: Article
Language:English
Published: Liverpool University Press 2012-01-01
Series:Francosphères
Subjects:
Online Access:http://www.liverpooluniversitypress.co.uk/doi/10.3828/franc.2012.2
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author David Murphy
author_facet David Murphy
author_sort David Murphy
collection DOAJ
description This article traces the relationship between culture, empire and the ‘postcolony’, focusing on the relationship between France and its former sub-Saharan African colonies. The first section examines the ongoing legacy of empire in France itself, which has been the subject of heated academic and political debates. The second part focuses on the 1966 Festival mondial des arts nègres (FESMAN) in Dakar and its recent revival in 2010, treating both events as case studies that allow us to explore the highly complex ways in which post-independence Senegalese/African culture has at different moments defined itself in relation/in opposition to French culture. The overall aim of the article is to reflect on the complex legacies of several centuries of French overseas expansion, as well as to consider the ways in which academics might develop new frameworks within which to assess what is problematically termed the French and Francophone worlds.
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publisher Liverpool University Press
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spelling doaj-art-55f4162c87b04f27a0fa993b8f7630ff2025-08-20T03:13:22ZengLiverpool University PressFrancosphères2046-38202046-38392012-01-0111193310.3828/franc.2012.2Culture, empire, and the postcolonyDavid Murphy0University of StirlingThis article traces the relationship between culture, empire and the ‘postcolony’, focusing on the relationship between France and its former sub-Saharan African colonies. The first section examines the ongoing legacy of empire in France itself, which has been the subject of heated academic and political debates. The second part focuses on the 1966 Festival mondial des arts nègres (FESMAN) in Dakar and its recent revival in 2010, treating both events as case studies that allow us to explore the highly complex ways in which post-independence Senegalese/African culture has at different moments defined itself in relation/in opposition to French culture. The overall aim of the article is to reflect on the complex legacies of several centuries of French overseas expansion, as well as to consider the ways in which academics might develop new frameworks within which to assess what is problematically termed the French and Francophone worlds.http://www.liverpooluniversitypress.co.uk/doi/10.3828/franc.2012.2FESMANSenegalSenghorpostcolonial studiesla Françafrique
spellingShingle David Murphy
Culture, empire, and the postcolony
Francosphères
FESMAN
Senegal
Senghor
postcolonial studies
la Françafrique
title Culture, empire, and the postcolony
title_full Culture, empire, and the postcolony
title_fullStr Culture, empire, and the postcolony
title_full_unstemmed Culture, empire, and the postcolony
title_short Culture, empire, and the postcolony
title_sort culture empire and the postcolony
topic FESMAN
Senegal
Senghor
postcolonial studies
la Françafrique
url http://www.liverpooluniversitypress.co.uk/doi/10.3828/franc.2012.2
work_keys_str_mv AT davidmurphy cultureempireandthepostcolony