Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura
Considering the plays’ formal and content structure, and the political and cultural movements of the 60’s and 70’s youth the counterculture among them in the North - American context and in the B razilian historical process (including the dictatorship present i...
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Format: | Article |
Language: | Spanish |
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Universidade de Brasília
2015-01-01
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Series: | Estudos de Literatura Brasileira Contemporânea |
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Online Access: | http://www.redalyc.org/articulo.oa?id=323141078016 |
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author | Éwerton Silva de Oliveira |
author_facet | Éwerton Silva de Oliveira |
author_sort | Éwerton Silva de Oliveira |
collection | DOAJ |
description | Considering the plays’ formal and content structure, and the political and cultural movements of the 60’s and 70’s youth the counterculture among them in the North - American context and in the B razilian historical process (including the dictatorship present in Brazil in these decades), this article aims to analyze how the musical called Hair (1967), by the American actors James Rado and Gerome Ragni, and Rasga coração (1974), a play by the Brazil ian playwright Oduvaldo Vianna Filho (Vianinha), represent the presence of the counterculture, with its innovations and contradictions, similarities and differences, in Brazil and in the United States. This representation is made especially by the young ch aracters of these plays, and the different focus Rasga coração and Hair give to this political - cultural movement is also emphasized in the article. |
format | Article |
id | doaj-art-557d9997029d42dcb3e3a950f869b02e |
institution | Kabale University |
issn | 1518-0158 2316-4018 |
language | Spanish |
publishDate | 2015-01-01 |
publisher | Universidade de Brasília |
record_format | Article |
series | Estudos de Literatura Brasileira Contemporânea |
spelling | doaj-art-557d9997029d42dcb3e3a950f869b02e2025-02-07T19:44:36ZspaUniversidade de BrasíliaEstudos de Literatura Brasileira Contemporânea1518-01582316-40182015-01-0146301325Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contraculturaÉwerton Silva de OliveiraConsidering the plays’ formal and content structure, and the political and cultural movements of the 60’s and 70’s youth the counterculture among them in the North - American context and in the B razilian historical process (including the dictatorship present in Brazil in these decades), this article aims to analyze how the musical called Hair (1967), by the American actors James Rado and Gerome Ragni, and Rasga coração (1974), a play by the Brazil ian playwright Oduvaldo Vianna Filho (Vianinha), represent the presence of the counterculture, with its innovations and contradictions, similarities and differences, in Brazil and in the United States. This representation is made especially by the young ch aracters of these plays, and the different focus Rasga coração and Hair give to this political - cultural movement is also emphasized in the article.http://www.redalyc.org/articulo.oa?id=323141078016brazilian theaternorthamerican theatercountercultureoduvaldo vianna filho |
spellingShingle | Éwerton Silva de Oliveira Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura Estudos de Literatura Brasileira Contemporânea brazilian theater north american theater counterculture oduvaldo vianna filho |
title | Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura |
title_full | Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura |
title_fullStr | Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura |
title_full_unstemmed | Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura |
title_short | Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura |
title_sort | rasga coracao de vianinha e hair aproximacao e distanciamento num contexto de contracultura |
topic | brazilian theater north american theater counterculture oduvaldo vianna filho |
url | http://www.redalyc.org/articulo.oa?id=323141078016 |
work_keys_str_mv | AT ewertonsilvadeoliveira rasgacoracaodevianinhaehairaproximacaoedistanciamentonumcontextodecontracultura |