Transparency, Translucency, and Obscurity in the Victorian Monologue

The Victorian dramatic monologue is not only a first person poetic speech with a silent audience suggested in the very poem; it is also a complex poetic chiaroscuro in which the speech itself is translucent, but always on the verge of obscurity, since what is at stake in the poem is the question of...

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Main Author: Jean-Charles Perquin
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2013-03-01
Series:Cahiers Victoriens et Edouardiens
Subjects:
Online Access:https://journals.openedition.org/cve/268
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author Jean-Charles Perquin
author_facet Jean-Charles Perquin
author_sort Jean-Charles Perquin
collection DOAJ
description The Victorian dramatic monologue is not only a first person poetic speech with a silent audience suggested in the very poem; it is also a complex poetic chiaroscuro in which the speech itself is translucent, but always on the verge of obscurity, since what is at stake in the poem is the question of understanding. The speaker has to be understood by the reader, whereas the addressee must be partly kept in the dark. In other words, the reader reconstructs the speech in the back of the voiceless listener’s mind, thus adding to the natural difficulty of poetic language. If poetry rests on the maximal use of the possibilities of language, the genre of the dramatic monologue adds to that condition the indirection of speech, i.e. the fact that the addressee has to miss the message the reader has to understand in order to build an intricate mesh of misunderstandings. Such obscure transparency, or transparent obscurity, is the condition for a poetic genre that cannot rely only on form.
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series Cahiers Victoriens et Edouardiens
spelling doaj-art-54908a60bad34063a6d2e23f457ccf162025-01-30T10:22:31ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492013-03-017710.4000/cve.268Transparency, Translucency, and Obscurity in the Victorian MonologueJean-Charles PerquinThe Victorian dramatic monologue is not only a first person poetic speech with a silent audience suggested in the very poem; it is also a complex poetic chiaroscuro in which the speech itself is translucent, but always on the verge of obscurity, since what is at stake in the poem is the question of understanding. The speaker has to be understood by the reader, whereas the addressee must be partly kept in the dark. In other words, the reader reconstructs the speech in the back of the voiceless listener’s mind, thus adding to the natural difficulty of poetic language. If poetry rests on the maximal use of the possibilities of language, the genre of the dramatic monologue adds to that condition the indirection of speech, i.e. the fact that the addressee has to miss the message the reader has to understand in order to build an intricate mesh of misunderstandings. Such obscure transparency, or transparent obscurity, is the condition for a poetic genre that cannot rely only on form.https://journals.openedition.org/cve/268transparencyVictorian dramatic monologuepoeticsmeaninglanguageobscurity
spellingShingle Jean-Charles Perquin
Transparency, Translucency, and Obscurity in the Victorian Monologue
Cahiers Victoriens et Edouardiens
transparency
Victorian dramatic monologue
poetics
meaning
language
obscurity
title Transparency, Translucency, and Obscurity in the Victorian Monologue
title_full Transparency, Translucency, and Obscurity in the Victorian Monologue
title_fullStr Transparency, Translucency, and Obscurity in the Victorian Monologue
title_full_unstemmed Transparency, Translucency, and Obscurity in the Victorian Monologue
title_short Transparency, Translucency, and Obscurity in the Victorian Monologue
title_sort transparency translucency and obscurity in the victorian monologue
topic transparency
Victorian dramatic monologue
poetics
meaning
language
obscurity
url https://journals.openedition.org/cve/268
work_keys_str_mv AT jeancharlesperquin transparencytranslucencyandobscurityinthevictorianmonologue