El discurso del fracaso en el cine peruano de temática LGTBIQ+
The LGTBIQ+ issue is one of the things that has been addressed the most in Peruvian cinema in recent decades. However, in several of these films the same discourse will be repeated, in which dissenting sexual identities are represented in terms of social disability, that is, homosexuals are consider...
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Language: | Spanish |
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Presses universitaires du Midi
2023-08-01
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Series: | Caravelle |
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Online Access: | https://journals.openedition.org/caravelle/14125 |
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author | Richard Leonardo-Loayza |
author_facet | Richard Leonardo-Loayza |
author_sort | Richard Leonardo-Loayza |
collection | DOAJ |
description | The LGTBIQ+ issue is one of the things that has been addressed the most in Peruvian cinema in recent decades. However, in several of these films the same discourse will be repeated, in which dissenting sexual identities are represented in terms of social disability, that is, homosexuals are considered as individuals who do not have the capacity to face the various circumstances that it is assumed that one lives in a heteropatriarchal world, which results in a presentation of stories of lives marked by weakness, helplessness or misfortune. The following article intends to demonstrate that this cinema stages a discourse of failure. To prove the above, three Peruvian films that address this theme are analyzed: Pecado (2007) by Palito Ortega, Contracorriente (2009) by Javier Fuentes-León and Retablo (2017) by Álvaro Delgado-Aparicio. |
format | Article |
id | doaj-art-52d0d168c7004ee4b128053133db60a8 |
institution | Kabale University |
issn | 1147-6753 2272-9828 |
language | Spanish |
publishDate | 2023-08-01 |
publisher | Presses universitaires du Midi |
record_format | Article |
series | Caravelle |
spelling | doaj-art-52d0d168c7004ee4b128053133db60a82025-01-09T16:14:21ZspaPresses universitaires du MidiCaravelle1147-67532272-98282023-08-0112013515010.4000/caravelle.14125El discurso del fracaso en el cine peruano de temática LGTBIQ+Richard Leonardo-LoayzaThe LGTBIQ+ issue is one of the things that has been addressed the most in Peruvian cinema in recent decades. However, in several of these films the same discourse will be repeated, in which dissenting sexual identities are represented in terms of social disability, that is, homosexuals are considered as individuals who do not have the capacity to face the various circumstances that it is assumed that one lives in a heteropatriarchal world, which results in a presentation of stories of lives marked by weakness, helplessness or misfortune. The following article intends to demonstrate that this cinema stages a discourse of failure. To prove the above, three Peruvian films that address this theme are analyzed: Pecado (2007) by Palito Ortega, Contracorriente (2009) by Javier Fuentes-León and Retablo (2017) by Álvaro Delgado-Aparicio.https://journals.openedition.org/caravelle/14125Discourse of failurePeruvian cinema LGTBIQ+PecadoContracorrienteRetablo |
spellingShingle | Richard Leonardo-Loayza El discurso del fracaso en el cine peruano de temática LGTBIQ+ Caravelle Discourse of failure Peruvian cinema LGTBIQ+ Pecado Contracorriente Retablo |
title | El discurso del fracaso en el cine peruano de temática LGTBIQ+ |
title_full | El discurso del fracaso en el cine peruano de temática LGTBIQ+ |
title_fullStr | El discurso del fracaso en el cine peruano de temática LGTBIQ+ |
title_full_unstemmed | El discurso del fracaso en el cine peruano de temática LGTBIQ+ |
title_short | El discurso del fracaso en el cine peruano de temática LGTBIQ+ |
title_sort | el discurso del fracaso en el cine peruano de tematica lgtbiq |
topic | Discourse of failure Peruvian cinema LGTBIQ+ Pecado Contracorriente Retablo |
url | https://journals.openedition.org/caravelle/14125 |
work_keys_str_mv | AT richardleonardoloayza eldiscursodelfracasoenelcineperuanodetematicalgtbiq |