Les métamorphoses du monstre. Le satyre dans l’Aminta et ses traductions françaises jusqu’au milieu du XVIIe siècle
The originality of Aminta’s Satyr in relation to his predecessors on the Italian stage goes without question. The genealogy of its speech (in the monologue of act II, scene 1) and the farcical scene of the nymph being attacked (told by Tirsi in act III, scene 1) reveals Theocritus’ influence, which...
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| Format: | Article |
| Language: | English |
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Institut du Monde Anglophone
2004-12-01
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| Series: | Etudes Epistémè |
| Online Access: | https://journals.openedition.org/episteme/3853 |
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