Fuera, dentro, en y sobre el arte y el espacio virtual

This text stems from the impulse to wonder if the idea of ​​virtuality and its prevalence in museum practices after the pandemic is essentially new or emanates from explorations of the artistic practices of conceptual art, rather already established, for more than a year. century that play with the...

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Main Author: Paulina Macías
Format: Article
Language:Spanish
Published: Groupe de Recherche Amérique Latine Histoire et Mémoire 2023-01-01
Series:Les Cahiers ALHIM
Subjects:
Online Access:https://journals.openedition.org/alhim/11131
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author Paulina Macías
author_facet Paulina Macías
author_sort Paulina Macías
collection DOAJ
description This text stems from the impulse to wonder if the idea of ​​virtuality and its prevalence in museum practices after the pandemic is essentially new or emanates from explorations of the artistic practices of conceptual art, rather already established, for more than a year. century that play with the idea of ​​immateriality that today is the constant. To do so, in addition to taking a brief tour of possible definitions of virtual space, three approach perspectives are proposed with their respective examples: For, where we reflect on the museum exercises that are done for the internet, In and from, where they present works that are possible only in virtuality and Sobre, which talks about projects that, rather than using virtuality as a form, recover them in their ways of creating content.
format Article
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institution Kabale University
issn 1628-6731
1777-5175
language Spanish
publishDate 2023-01-01
publisher Groupe de Recherche Amérique Latine Histoire et Mémoire
record_format Article
series Les Cahiers ALHIM
spelling doaj-art-526ed2b2e6a74d3ab71e6d1c53042ba82025-01-10T14:55:10ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752023-01-014410.4000/alhim.11131Fuera, dentro, en y sobre el arte y el espacio virtualPaulina MacíasThis text stems from the impulse to wonder if the idea of ​​virtuality and its prevalence in museum practices after the pandemic is essentially new or emanates from explorations of the artistic practices of conceptual art, rather already established, for more than a year. century that play with the idea of ​​immateriality that today is the constant. To do so, in addition to taking a brief tour of possible definitions of virtual space, three approach perspectives are proposed with their respective examples: For, where we reflect on the museum exercises that are done for the internet, In and from, where they present works that are possible only in virtuality and Sobre, which talks about projects that, rather than using virtuality as a form, recover them in their ways of creating content.https://journals.openedition.org/alhim/11131artconcept artcyberspacevirtualitytechnology
spellingShingle Paulina Macías
Fuera, dentro, en y sobre el arte y el espacio virtual
Les Cahiers ALHIM
art
concept art
cyberspace
virtuality
technology
title Fuera, dentro, en y sobre el arte y el espacio virtual
title_full Fuera, dentro, en y sobre el arte y el espacio virtual
title_fullStr Fuera, dentro, en y sobre el arte y el espacio virtual
title_full_unstemmed Fuera, dentro, en y sobre el arte y el espacio virtual
title_short Fuera, dentro, en y sobre el arte y el espacio virtual
title_sort fuera dentro en y sobre el arte y el espacio virtual
topic art
concept art
cyberspace
virtuality
technology
url https://journals.openedition.org/alhim/11131
work_keys_str_mv AT paulinamacias fueradentroenysobreelarteyelespaciovirtual