History and trajectory of Rossetti's works ‘after Dante’: between private collections and museums
If we trace masterpieces by Rossetti "from Dante", we can observe that the most part remains in British or North American collections, although we had in mind that museums of the whole world would have got such emblematic items. Why? Dante was definitely popular in Great-Britain, so that...
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Universitat Autònoma de Barcelona
2025-01-01
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| Series: | Dante e l'Arte |
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| Online Access: | https://revistes.uab.cat/dea/article/view/217 |
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| author | Yannick Le Pape |
| author_facet | Yannick Le Pape |
| author_sort | Yannick Le Pape |
| collection | DOAJ |
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If we trace masterpieces by Rossetti "from Dante", we can observe that the most part remains in British or North American collections, although we had in mind that museums of the whole world would have got such emblematic items. Why? Dante was definitely popular in Great-Britain, so that it was quite easy for Rossetti to negotiate his works, and no doubt that the emerging speculative collecting for businessmen did limit sales to a short panel of wealthy rivals who took advantage of museums' hesitations about Pre-Raphaelitism — as well as foreign critics focused on Rossetti a bit too late, when his works were already in the English acquisitions field. That's why the current location of the Rossetti's "Dante pictures" deals not only with Victorian fantasies but also with the evolution of art market by the second part of the 19th century.
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| format | Article |
| id | doaj-art-52062316f83341e5ac52b31e75fdcb14 |
| institution | Kabale University |
| issn | 2385-7269 2385-5355 |
| language | Catalan |
| publishDate | 2025-01-01 |
| publisher | Universitat Autònoma de Barcelona |
| record_format | Article |
| series | Dante e l'Arte |
| spelling | doaj-art-52062316f83341e5ac52b31e75fdcb142025-02-03T04:40:10ZcatUniversitat Autònoma de BarcelonaDante e l'Arte2385-72692385-53552025-01-011110.5565/rev/dea.217History and trajectory of Rossetti's works ‘after Dante’: between private collections and museumsYannick Le Pape0Musée d'Orsay, Paris If we trace masterpieces by Rossetti "from Dante", we can observe that the most part remains in British or North American collections, although we had in mind that museums of the whole world would have got such emblematic items. Why? Dante was definitely popular in Great-Britain, so that it was quite easy for Rossetti to negotiate his works, and no doubt that the emerging speculative collecting for businessmen did limit sales to a short panel of wealthy rivals who took advantage of museums' hesitations about Pre-Raphaelitism — as well as foreign critics focused on Rossetti a bit too late, when his works were already in the English acquisitions field. That's why the current location of the Rossetti's "Dante pictures" deals not only with Victorian fantasies but also with the evolution of art market by the second part of the 19th century. https://revistes.uab.cat/dea/article/view/217acquisitioncollectorscriticsart marketmuseumsRossetti |
| spellingShingle | Yannick Le Pape History and trajectory of Rossetti's works ‘after Dante’: between private collections and museums Dante e l'Arte acquisition collectors critics art market museums Rossetti |
| title | History and trajectory of Rossetti's works ‘after Dante’: between private collections and museums |
| title_full | History and trajectory of Rossetti's works ‘after Dante’: between private collections and museums |
| title_fullStr | History and trajectory of Rossetti's works ‘after Dante’: between private collections and museums |
| title_full_unstemmed | History and trajectory of Rossetti's works ‘after Dante’: between private collections and museums |
| title_short | History and trajectory of Rossetti's works ‘after Dante’: between private collections and museums |
| title_sort | history and trajectory of rossetti s works after dante between private collections and museums |
| topic | acquisition collectors critics art market museums Rossetti |
| url | https://revistes.uab.cat/dea/article/view/217 |
| work_keys_str_mv | AT yannicklepape historyandtrajectoryofrossettisworksafterdantebetweenprivatecollectionsandmuseums |