Towards a Queer Futurity: New Trans Television

While gay and lesbian characters have a steady presence in American television series by now, this is not the case with transgender persons. Although there is a significant number of shows with such characters, sometimes even in leading roles, this still is a marginal phenomenon. Casting debates, de...

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Main Author: Ralph J. Poole
Format: Article
Language:English
Published: European Association for American Studies 2017-11-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/12093
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author Ralph J. Poole
author_facet Ralph J. Poole
author_sort Ralph J. Poole
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description While gay and lesbian characters have a steady presence in American television series by now, this is not the case with transgender persons. Although there is a significant number of shows with such characters, sometimes even in leading roles, this still is a marginal phenomenon. Casting debates, depictions of sexual violence and transphobic harassment, generational conflicts, non-normative sexuality, and family constellations are amongst the most pronounced issues to be discussed, when asking for a queer futurity that these series possibly envision. Have series such as Transparent, Orange Is the New Black, The L-Word, or Hit & Miss started to exploit such a potential? The paper aims at both an assessment of the status quo of transgender representations in current television series and at evaluating their respective aesthetic and political potential for a re-queering the American nation under the sign of transgenderism.
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spelling doaj-art-51affb33f7c849bb864499568d9a32c22025-01-06T09:09:36ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362017-11-0112210.4000/ejas.12093Towards a Queer Futurity: New Trans TelevisionRalph J. PooleWhile gay and lesbian characters have a steady presence in American television series by now, this is not the case with transgender persons. Although there is a significant number of shows with such characters, sometimes even in leading roles, this still is a marginal phenomenon. Casting debates, depictions of sexual violence and transphobic harassment, generational conflicts, non-normative sexuality, and family constellations are amongst the most pronounced issues to be discussed, when asking for a queer futurity that these series possibly envision. Have series such as Transparent, Orange Is the New Black, The L-Word, or Hit & Miss started to exploit such a potential? The paper aims at both an assessment of the status quo of transgender representations in current television series and at evaluating their respective aesthetic and political potential for a re-queering the American nation under the sign of transgenderism.https://journals.openedition.org/ejas/12093transgenderLGBTIQtelevision seriesNew Queer Cinema
spellingShingle Ralph J. Poole
Towards a Queer Futurity: New Trans Television
European Journal of American Studies
transgender
LGBTIQ
television series
New Queer Cinema
title Towards a Queer Futurity: New Trans Television
title_full Towards a Queer Futurity: New Trans Television
title_fullStr Towards a Queer Futurity: New Trans Television
title_full_unstemmed Towards a Queer Futurity: New Trans Television
title_short Towards a Queer Futurity: New Trans Television
title_sort towards a queer futurity new trans television
topic transgender
LGBTIQ
television series
New Queer Cinema
url https://journals.openedition.org/ejas/12093
work_keys_str_mv AT ralphjpoole towardsaqueerfuturitynewtranstelevision