Theatre As Architecture of Memory and National Identity. Russian Case – Golden Mask 2018
The author focuses on selected productions of this year’s special program category of the Russian Theatre Festival Golden Mask 2018 – Russian Case in Moscow. The comparison of the latest productions of different genres and artistic aesthetics reveals the common interest of their creators in urgent s...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
Slovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research Centre
2018-06-01
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| Series: | Slovenské divadlo |
| Online Access: | http://www.degruyter.com/view/j/sd.2018.66.issue-2/sd-2018-0013/sd-2018-0013.xml?format=INT |
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| Summary: | The author focuses on selected productions of this year’s special program category of the Russian Theatre Festival Golden Mask 2018 – Russian Case in Moscow. The comparison of the latest productions of different genres and artistic aesthetics reveals the common interest of their creators in urgent socio-cultural and historical-political themes. The Russian Case category introduced Russian theatre this year as an increasingly active tool for social engagement, which is concerned with the present or the past of the nation or individual. With the vision of a better future, creators confront themselves with collective and individual memories and seek ways to cope with them in an artistic and human way. |
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| ISSN: | 1336-8605 |