A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Collective
This paper examines how Amber Film and Photography Collective’s working-class affiliations and Berwick Street Film Collective’s middle-class makeup shaped their divergent approaches to depicting ‘working-class issues’ by drawing on the films of both collectives, alongside archival materials and oral...
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Open Library of Humanities
2024-06-01
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| Online Access: | https://olh.openlibhums.org/article/id/10172/ |
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| author | Jessica Williams Boyall |
| author_facet | Jessica Williams Boyall |
| author_sort | Jessica Williams Boyall |
| collection | DOAJ |
| description | This paper examines how Amber Film and Photography Collective’s working-class affiliations and Berwick Street Film Collective’s middle-class makeup shaped their divergent approaches to depicting ‘working-class issues’ by drawing on the films of both collectives, alongside archival materials and oral testimonies. By engaging in a comparative reading, I highlight the breadth of Amber’s oeuvre, tracing the development of their filmmaking strategies—which included agitprop, the fusion of factual and fictional formal elements and transnational collaboration with the German Democratic Republic’s film production company, Deutsche Film-Aktiengesellschaft (DEFA)—to demonstrate that, contrary to criticisms levelled by contemporary theorists clustered around Screen magazine and the British Film Institute, Amber transcended the constraints of Documentary Realism by incorporating radical avant-garde aesthetics into their oppositional practice. Concomitantly, Amber’s radical filmmaking is positioned as relative to its members’ working-class solidarities, with their concern for championing working-class cultures contrasted with Berwick Street’s broader political agendas. Through foregrounding this politics/culture dialectic, the practical repercussions of Berwick Street’s middle-class representation of ‘working-class interests’ are investigated while the theoretical criteria by which avant-garde depictions of ‘working-class issues’ are evaluated are themselves assessed. |
| format | Article |
| id | doaj-art-509f13172a86440fa1c35c99912582ed |
| institution | Kabale University |
| issn | 2056-6700 |
| language | English |
| publishDate | 2024-06-01 |
| publisher | Open Library of Humanities |
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| series | Open Library of Humanities |
| spelling | doaj-art-509f13172a86440fa1c35c99912582ed2025-01-28T10:11:09ZengOpen Library of HumanitiesOpen Library of Humanities2056-67002024-06-0110110.16995/olh.10172A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film CollectiveJessica Williams Boyall0Media Arts, Royal Holloway, University of LondonThis paper examines how Amber Film and Photography Collective’s working-class affiliations and Berwick Street Film Collective’s middle-class makeup shaped their divergent approaches to depicting ‘working-class issues’ by drawing on the films of both collectives, alongside archival materials and oral testimonies. By engaging in a comparative reading, I highlight the breadth of Amber’s oeuvre, tracing the development of their filmmaking strategies—which included agitprop, the fusion of factual and fictional formal elements and transnational collaboration with the German Democratic Republic’s film production company, Deutsche Film-Aktiengesellschaft (DEFA)—to demonstrate that, contrary to criticisms levelled by contemporary theorists clustered around Screen magazine and the British Film Institute, Amber transcended the constraints of Documentary Realism by incorporating radical avant-garde aesthetics into their oppositional practice. Concomitantly, Amber’s radical filmmaking is positioned as relative to its members’ working-class solidarities, with their concern for championing working-class cultures contrasted with Berwick Street’s broader political agendas. Through foregrounding this politics/culture dialectic, the practical repercussions of Berwick Street’s middle-class representation of ‘working-class interests’ are investigated while the theoretical criteria by which avant-garde depictions of ‘working-class issues’ are evaluated are themselves assessed.https://olh.openlibhums.org/article/id/10172/Working-ClassFilmTheoryAvant-gardeFormalismNorth England |
| spellingShingle | Jessica Williams Boyall A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Collective Open Library of Humanities Working-Class Film Theory Avant-garde Formalism North England |
| title | A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Collective |
| title_full | A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Collective |
| title_fullStr | A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Collective |
| title_full_unstemmed | A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Collective |
| title_short | A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Collective |
| title_sort | politics of working class culture and the culture of working class politics the aesthetics and activism of amber film and photography collective and the berwick street film collective |
| topic | Working-Class Film Theory Avant-garde Formalism North England |
| url | https://olh.openlibhums.org/article/id/10172/ |
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