The Typography of Forgetting: The Unsettling of Dominant Social Narratives in the Resurfacing of a Military Deserter in Family Memory
Society expects history to be objective and factual. Collectively history is the memory of the nation, that group, the imagined community that believes that it has always been together. It could even be said that the nation is about forgetting; forgetting that the people who make up that community w...
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2024-05-01
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| description | Society expects history to be objective and factual. Collectively history is the memory of the nation, that group, the imagined community that believes that it has always been together. It could even be said that the nation is about forgetting; forgetting that the people who make up that community were not always together as they are now, or the forgetting of those hurdles and hindrances that create obstacles to cohesion and continuity. Memory is collaborative by nature, and provides a legacy to society, a response to its own mortality in the future. This paper proposes to examine the case of subjective recounting of the past through a family memory of war, the forgetting, the gaps created in narratives to enable cohesion and to fit in with publicly acceptable discourse. It ultimately attempts to answer the question as to why it might be important to re-examine such stories of an individual nature, in a wider scope of the nation, and links those seemingly antinomic periods of time of past, present, and future, which are not as exclusive as might be believed. This paper focuses upon a deserter ancestor, going against the grain of traditional narratives. Traditionally, soldiers are considered by definition of what is expected from them in the national narrative, as ‘war heroes’. However, this paper examines the life of a military ancestor who, in reality, did not fit into that framework, and who deserted from the army (although never on the front line, thus avoiding being shot). Nevertheless, the multiple desertions (deserted five times in total, lost kit twice, was imprisoned, and was detained for desertion three times) only ‘resurfaced’ recently due to the availability of documentation and research carried out in archives. While the ancestor conformed socially to what was expected of him, the reality of his military files seems to reveal the contrary. Despite the high numbers of times that he did desert, he did also rejoin every time, and ended up spending 3 decades in the same military unit. Or, perhaps the manner in which society views soldiers pre- and post-WWI has been altered, and, as such, desertion was not once what it has become. Forgetting has been the norm in society regarding certain pasts that step outside of the national narrative, rather than remembering. This paper attempts to imagine the nation’s past in a different way, by including those who also deserted, an area of ill-defined research in military history. |
| format | Article |
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| institution | OA Journals |
| issn | 2313-5778 |
| language | English |
| publishDate | 2024-05-01 |
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| series | Genealogy |
| spelling | doaj-art-4ff8ca3547d044d491c0ded902a7a0dc2025-08-20T02:01:35ZengMDPI AGGenealogy2313-57782024-05-01826010.3390/genealogy8020060The Typography of Forgetting: The Unsettling of Dominant Social Narratives in the Resurfacing of a Military Deserter in Family MemoryAndrew Milne0ALTER Research Laboratory, University of Pau and the Pays de l’Adour, 64012 Pau, FranceSociety expects history to be objective and factual. Collectively history is the memory of the nation, that group, the imagined community that believes that it has always been together. It could even be said that the nation is about forgetting; forgetting that the people who make up that community were not always together as they are now, or the forgetting of those hurdles and hindrances that create obstacles to cohesion and continuity. Memory is collaborative by nature, and provides a legacy to society, a response to its own mortality in the future. This paper proposes to examine the case of subjective recounting of the past through a family memory of war, the forgetting, the gaps created in narratives to enable cohesion and to fit in with publicly acceptable discourse. It ultimately attempts to answer the question as to why it might be important to re-examine such stories of an individual nature, in a wider scope of the nation, and links those seemingly antinomic periods of time of past, present, and future, which are not as exclusive as might be believed. This paper focuses upon a deserter ancestor, going against the grain of traditional narratives. Traditionally, soldiers are considered by definition of what is expected from them in the national narrative, as ‘war heroes’. However, this paper examines the life of a military ancestor who, in reality, did not fit into that framework, and who deserted from the army (although never on the front line, thus avoiding being shot). Nevertheless, the multiple desertions (deserted five times in total, lost kit twice, was imprisoned, and was detained for desertion three times) only ‘resurfaced’ recently due to the availability of documentation and research carried out in archives. While the ancestor conformed socially to what was expected of him, the reality of his military files seems to reveal the contrary. Despite the high numbers of times that he did desert, he did also rejoin every time, and ended up spending 3 decades in the same military unit. Or, perhaps the manner in which society views soldiers pre- and post-WWI has been altered, and, as such, desertion was not once what it has become. Forgetting has been the norm in society regarding certain pasts that step outside of the national narrative, rather than remembering. This paper attempts to imagine the nation’s past in a different way, by including those who also deserted, an area of ill-defined research in military history.https://www.mdpi.com/2313-5778/8/2/60memorynationnational identitywarcritical family historyforgetting |
| spellingShingle | Andrew Milne The Typography of Forgetting: The Unsettling of Dominant Social Narratives in the Resurfacing of a Military Deserter in Family Memory Genealogy memory nation national identity war critical family history forgetting |
| title | The Typography of Forgetting: The Unsettling of Dominant Social Narratives in the Resurfacing of a Military Deserter in Family Memory |
| title_full | The Typography of Forgetting: The Unsettling of Dominant Social Narratives in the Resurfacing of a Military Deserter in Family Memory |
| title_fullStr | The Typography of Forgetting: The Unsettling of Dominant Social Narratives in the Resurfacing of a Military Deserter in Family Memory |
| title_full_unstemmed | The Typography of Forgetting: The Unsettling of Dominant Social Narratives in the Resurfacing of a Military Deserter in Family Memory |
| title_short | The Typography of Forgetting: The Unsettling of Dominant Social Narratives in the Resurfacing of a Military Deserter in Family Memory |
| title_sort | typography of forgetting the unsettling of dominant social narratives in the resurfacing of a military deserter in family memory |
| topic | memory nation national identity war critical family history forgetting |
| url | https://www.mdpi.com/2313-5778/8/2/60 |
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