Dramatografia

<p>The article presents the concept of dramatography as being created by “writing drama”. The author treats drama as a fluid concept, historically variable, non-binary compared to theatre, establishing performative relations interwoven with other arts. Dramatography is a response to limitation...

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Main Author: Anna Krajewska
Format: Article
Language:Polish
Published: Adam Mickiewicz University 2017-12-01
Series:Przestrzenie Teorii
Online Access:http://pressto.amu.edu.pl/index.php/pt/article/view/10385
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author Anna Krajewska
author_facet Anna Krajewska
author_sort Anna Krajewska
collection DOAJ
description <p>The article presents the concept of dramatography as being created by “writing drama”. The author treats drama as a fluid concept, historically variable, non-binary compared to theatre, establishing performative relations interwoven with other arts. Dramatography is a response to limitations resulting from the use of the concepts of adaptation, interpretation and intersemiotic translation in the former binary system in drama and theatre. Referring to Hans Ulrich Gumbrecht’s concept of “producing presence”, the author shows the role of manifesting oneself as a counterweight to meaning in the process through which dramatography emerges.</p>
format Article
id doaj-art-4f210fb94d6a4acb9261e02c3f79fa64
institution OA Journals
issn 1644-6763
2450-5765
language Polish
publishDate 2017-12-01
publisher Adam Mickiewicz University
record_format Article
series Przestrzenie Teorii
spelling doaj-art-4f210fb94d6a4acb9261e02c3f79fa642025-08-20T02:05:39ZpolAdam Mickiewicz UniversityPrzestrzenie Teorii1644-67632450-57652017-12-0102719522610.14746/pt.2017.27.159948DramatografiaAnna Krajewska<p>The article presents the concept of dramatography as being created by “writing drama”. The author treats drama as a fluid concept, historically variable, non-binary compared to theatre, establishing performative relations interwoven with other arts. Dramatography is a response to limitations resulting from the use of the concepts of adaptation, interpretation and intersemiotic translation in the former binary system in drama and theatre. Referring to Hans Ulrich Gumbrecht’s concept of “producing presence”, the author shows the role of manifesting oneself as a counterweight to meaning in the process through which dramatography emerges.</p>http://pressto.amu.edu.pl/index.php/pt/article/view/10385
spellingShingle Anna Krajewska
Dramatografia
Przestrzenie Teorii
title Dramatografia
title_full Dramatografia
title_fullStr Dramatografia
title_full_unstemmed Dramatografia
title_short Dramatografia
title_sort dramatografia
url http://pressto.amu.edu.pl/index.php/pt/article/view/10385
work_keys_str_mv AT annakrajewska dramatografia