“Russian Garrick” and his French Shakespeare: “Les Tombeaux de Vérone” by L.-S. Mercier in V. Pomerantsev’s interpretation
The methodology of the article is based on the ideas of historical poetics by A.N. Veselovsky and M.M. Bakhtin. The author examines the reception of Shakespeare’s heritage in Russia in the last third of the 18th century. This idea is demonstrated in the analyses of the adaptation of the bourgeois dr...
Saved in:
| Main Author: | Elena M. Lutsenko |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Russian Academy of Sciences. A.M. Gorky Institute of World Literature
2024-12-01
|
| Series: | Литературный факт |
| Subjects: | |
| Online Access: | https://litfact.ru/images/2024-34/6_Lutsenko.pdf |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Louis-Sébastien Mercier and the power of books in the utopia of the Enlightenment: the role of the library in L'An 2440
by: Rossana Morriello
Published: (2025-06-01) -
Liberté, Égalité, Ébriété
by: Geneviève Lafrance
Published: (2009-09-01) -
Temporalités de la science-fiction
by: Richard Saint-Gelais
Published: (2013-04-01) -
Le puits de ténèbres — Rencontre avec Guillaume Séverac-Schmitz, metteur en scène, et Clément Camar-Mercier, traducteur et dramaturge, autour de La Duchesse d’Amalfi (Création, Cratère Scène nationale, Alès, janvier 2019)
by: Line Cottegnies, et al.
Published: (2019-01-01) -
Les origines de la critique de science-fiction : de Kepler à Wells
by: Arthur B. Evans
Published: (2012-10-01)