Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood
This article argues that the immediate critical responses to the blockbuster film Barbie (Greta Gerwig, 2023), which diverged along ideological lines, fail to account for the extent to which the film undercuts the very ideological divisions that sustain them. Rather than or in addition to presenting...
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| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Edinburgh University Press
2025-02-01
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| Series: | Film-Philosophy |
| Subjects: | |
| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2025.0290 |
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