Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood

This article argues that the immediate critical responses to the blockbuster film Barbie (Greta Gerwig, 2023), which diverged along ideological lines, fail to account for the extent to which the film undercuts the very ideological divisions that sustain them. Rather than or in addition to presenting...

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Main Authors: John Michael Corrigan, Justin Prystash
Format: Article
Language:English
Published: Edinburgh University Press 2025-02-01
Series:Film-Philosophy
Subjects:
Online Access:https://www.euppublishing.com/doi/10.3366/film.2025.0290
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author John Michael Corrigan
Justin Prystash
author_facet John Michael Corrigan
Justin Prystash
author_sort John Michael Corrigan
collection DOAJ
description This article argues that the immediate critical responses to the blockbuster film Barbie (Greta Gerwig, 2023), which diverged along ideological lines, fail to account for the extent to which the film undercuts the very ideological divisions that sustain them. Rather than or in addition to presenting a left-wing or right-wing critique of contemporary gender roles, the film positions this contest within the vexed relationship between the ideal and the real. This metaphysical quandary is what propels the protagonists on a Buddhist-inspired quest for authentic selfhood, a selfhood characterized by both the effacement of the discrete self (the Buddhist concept of anatman) and the eclipse of monumentalized cultural and commercial idols, like Barbie, that organize and disseminate ideology.
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series Film-Philosophy
spelling doaj-art-4eade14714554f458f287ce52041a5512025-01-20T11:45:25ZengEdinburgh University PressFilm-Philosophy1466-46152025-02-0129112210.3366/film.2025.0290Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic SelfhoodJohn Michael Corrigan0Justin Prystash1National Chengchi University, TaiwanNational Chengchi University, TaiwanThis article argues that the immediate critical responses to the blockbuster film Barbie (Greta Gerwig, 2023), which diverged along ideological lines, fail to account for the extent to which the film undercuts the very ideological divisions that sustain them. Rather than or in addition to presenting a left-wing or right-wing critique of contemporary gender roles, the film positions this contest within the vexed relationship between the ideal and the real. This metaphysical quandary is what propels the protagonists on a Buddhist-inspired quest for authentic selfhood, a selfhood characterized by both the effacement of the discrete self (the Buddhist concept of anatman) and the eclipse of monumentalized cultural and commercial idols, like Barbie, that organize and disseminate ideology.https://www.euppublishing.com/doi/10.3366/film.2025.0290Barbieidealismauthenticityideologyquest narrativesBuddhism
spellingShingle John Michael Corrigan
Justin Prystash
Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood
Film-Philosophy
Barbie
idealism
authenticity
ideology
quest narratives
Buddhism
title Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood
title_full Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood
title_fullStr Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood
title_full_unstemmed Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood
title_short Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood
title_sort self effacing barbie the ideal the real and the quest for authentic selfhood
topic Barbie
idealism
authenticity
ideology
quest narratives
Buddhism
url https://www.euppublishing.com/doi/10.3366/film.2025.0290
work_keys_str_mv AT johnmichaelcorrigan selfeffacingbarbietheidealtherealandthequestforauthenticselfhood
AT justinprystash selfeffacingbarbietheidealtherealandthequestforauthenticselfhood