Du plâtre et de la poésie. Les moulages d’après Michel-Ange à l’École des beaux-arts de Paris

In the 1840s, the minister Adolphe Thiers created a ‘shrine’ at the École des beaux-arts in Paris, made up of a collection of casts after Michelangelo. This collection showed the affinities between Michelangelo’s terribilità and the political and irreligious romanticism of Stendhal and Michelet. It...

Full description

Saved in:
Bibliographic Details
Main Author: Emmanuel Schwartz
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2016-03-01
Series:In Situ
Subjects:
Online Access:https://journals.openedition.org/insitu/12411
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1850109611256840192
author Emmanuel Schwartz
author_facet Emmanuel Schwartz
author_sort Emmanuel Schwartz
collection DOAJ
description In the 1840s, the minister Adolphe Thiers created a ‘shrine’ at the École des beaux-arts in Paris, made up of a collection of casts after Michelangelo. This collection showed the affinities between Michelangelo’s terribilità and the political and irreligious romanticism of Stendhal and Michelet. It had echoes in the poetry of Théophile Gautier and Baudelaire. For the sculptors Carpeaux and Rodin, Michelangelo’s works inspired audacious inventions. Taine used these Parisian plaster casts to show to his pupils the tragic symbolism of the original marbles.
format Article
id doaj-art-4e3d609ffaea438195dde4c204c2ef5d
institution OA Journals
issn 1630-7305
language fra
publishDate 2016-03-01
publisher Ministère de la Culture et de la Communication
record_format Article
series In Situ
spelling doaj-art-4e3d609ffaea438195dde4c204c2ef5d2025-08-20T02:38:02ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052016-03-012810.4000/insitu.12411Du plâtre et de la poésie. Les moulages d’après Michel-Ange à l’École des beaux-arts de ParisEmmanuel SchwartzIn the 1840s, the minister Adolphe Thiers created a ‘shrine’ at the École des beaux-arts in Paris, made up of a collection of casts after Michelangelo. This collection showed the affinities between Michelangelo’s terribilità and the political and irreligious romanticism of Stendhal and Michelet. It had echoes in the poetry of Théophile Gautier and Baudelaire. For the sculptors Carpeaux and Rodin, Michelangelo’s works inspired audacious inventions. Taine used these Parisian plaster casts to show to his pupils the tragic symbolism of the original marbles.https://journals.openedition.org/insitu/12411MichelangeloMusée des monuments français (des Petits-Augustins)Muséum du Louvrechurch and conventplaster casts
spellingShingle Emmanuel Schwartz
Du plâtre et de la poésie. Les moulages d’après Michel-Ange à l’École des beaux-arts de Paris
In Situ
Michelangelo
Musée des monuments français (des Petits-Augustins)
Muséum du Louvre
church and convent
plaster casts
title Du plâtre et de la poésie. Les moulages d’après Michel-Ange à l’École des beaux-arts de Paris
title_full Du plâtre et de la poésie. Les moulages d’après Michel-Ange à l’École des beaux-arts de Paris
title_fullStr Du plâtre et de la poésie. Les moulages d’après Michel-Ange à l’École des beaux-arts de Paris
title_full_unstemmed Du plâtre et de la poésie. Les moulages d’après Michel-Ange à l’École des beaux-arts de Paris
title_short Du plâtre et de la poésie. Les moulages d’après Michel-Ange à l’École des beaux-arts de Paris
title_sort du platre et de la poesie les moulages d apres michel ange a l ecole des beaux arts de paris
topic Michelangelo
Musée des monuments français (des Petits-Augustins)
Muséum du Louvre
church and convent
plaster casts
url https://journals.openedition.org/insitu/12411
work_keys_str_mv AT emmanuelschwartz duplatreetdelapoesielesmoulagesdapresmichelangealecoledesbeauxartsdeparis