Antony Deschamps - Elegiac Poet in the Context of National Poetry
The question of the place occupied in the history of French poetry by Anthony Deschamps (Antony Deschamps, 1800-1869), a romantic poet almost forgotten already at the end of the 19th century, is examined. Concerning this question, the author of the article turns to the elegy genre leading in the wor...
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| Language: | Russian |
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Tsentr nauchnykh i obrazovatelnykh proektov
2019-11-01
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| Series: | Научный диалог |
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| Online Access: | https://www.nauka-dialog.ru/jour/article/view/1445 |
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| author | V. I. Pinkovsky |
| author_facet | V. I. Pinkovsky |
| author_sort | V. I. Pinkovsky |
| collection | DOAJ |
| description | The question of the place occupied in the history of French poetry by Anthony Deschamps (Antony Deschamps, 1800-1869), a romantic poet almost forgotten already at the end of the 19th century, is examined. Concerning this question, the author of the article turns to the elegy genre leading in the work of Deschamps and in romantic lyrics as a whole establishing the importance of the poet in the context of the history of the French elegy. The relevance of this approach is determined by the fact that insufficient attention is paid to the genre aspect of literary history in French literature of the twentieth and early twenty-first centuries, which affects the full understanding of the significance of those writers whose merits are related to the genre sphere. Since the factor of personal (rather than a priori given genre) lyricism is very important in the romantic elegy, the article pays great attention to the character of A. Deschan, the opinion of his contemporaries. An analysis of Deschan elegy, comparing them with historically preceding examples of the genre, allows us to conclude that Deschan, unlike poets of the 18th - early 19th centuries, did not create a stable elegiac model similar to, for example, the Lamartinian elegy, but on the contrary, brought romantic principle of creative freedom to life. Largely thanks to such authors, not too remarkable, avoiding high-profile declarations and radical acts, important work was done to turn poetry, strictly regulated by genre norms, into modern lyrics, with its many forms that meet the needs of a flexible embodiment of diverse individual feelings. |
| format | Article |
| id | doaj-art-4da46eb3dac54a62bc13705b8b7c3c3e |
| institution | Kabale University |
| issn | 2225-756X 2227-1295 |
| language | Russian |
| publishDate | 2019-11-01 |
| publisher | Tsentr nauchnykh i obrazovatelnykh proektov |
| record_format | Article |
| series | Научный диалог |
| spelling | doaj-art-4da46eb3dac54a62bc13705b8b7c3c3e2025-08-25T18:13:20ZrusTsentr nauchnykh i obrazovatelnykh proektovНаучный диалог2225-756X2227-12952019-11-0101118619810.24224/2227-1295-2019-11-186-1981441Antony Deschamps - Elegiac Poet in the Context of National PoetryV. I. Pinkovsky0North-Eastern State UniversityThe question of the place occupied in the history of French poetry by Anthony Deschamps (Antony Deschamps, 1800-1869), a romantic poet almost forgotten already at the end of the 19th century, is examined. Concerning this question, the author of the article turns to the elegy genre leading in the work of Deschamps and in romantic lyrics as a whole establishing the importance of the poet in the context of the history of the French elegy. The relevance of this approach is determined by the fact that insufficient attention is paid to the genre aspect of literary history in French literature of the twentieth and early twenty-first centuries, which affects the full understanding of the significance of those writers whose merits are related to the genre sphere. Since the factor of personal (rather than a priori given genre) lyricism is very important in the romantic elegy, the article pays great attention to the character of A. Deschan, the opinion of his contemporaries. An analysis of Deschan elegy, comparing them with historically preceding examples of the genre, allows us to conclude that Deschan, unlike poets of the 18th - early 19th centuries, did not create a stable elegiac model similar to, for example, the Lamartinian elegy, but on the contrary, brought romantic principle of creative freedom to life. Largely thanks to such authors, not too remarkable, avoiding high-profile declarations and radical acts, important work was done to turn poetry, strictly regulated by genre norms, into modern lyrics, with its many forms that meet the needs of a flexible embodiment of diverse individual feelings.https://www.nauka-dialog.ru/jour/article/view/1445«свободная» элегияanthony deschampsfrench poetrycemetery elegyerotic elegyheroidnational elegylamartin’s elegy“free” elegypersonal poetry |
| spellingShingle | V. I. Pinkovsky Antony Deschamps - Elegiac Poet in the Context of National Poetry Научный диалог «свободная» элегия anthony deschamps french poetry cemetery elegy erotic elegy heroid national elegy lamartin’s elegy “free” elegy personal poetry |
| title | Antony Deschamps - Elegiac Poet in the Context of National Poetry |
| title_full | Antony Deschamps - Elegiac Poet in the Context of National Poetry |
| title_fullStr | Antony Deschamps - Elegiac Poet in the Context of National Poetry |
| title_full_unstemmed | Antony Deschamps - Elegiac Poet in the Context of National Poetry |
| title_short | Antony Deschamps - Elegiac Poet in the Context of National Poetry |
| title_sort | antony deschamps elegiac poet in the context of national poetry |
| topic | «свободная» элегия anthony deschamps french poetry cemetery elegy erotic elegy heroid national elegy lamartin’s elegy “free” elegy personal poetry |
| url | https://www.nauka-dialog.ru/jour/article/view/1445 |
| work_keys_str_mv | AT vipinkovsky antonydeschampselegiacpoetinthecontextofnationalpoetry |