The subaltern, the superior race and the artificial friends: Ishiguro’s postcolonial perspective in Klara and the Sun

Although set in a posthuman and predominantly metropolitan setting, Ishiguro’s Klara and the Sun deeply engages in postcolonial narrative discourse and its implications. This paper examines Ishiguro’s postcolonial stance in the novel. It argues that Ishiguro, in Klara and the Sun, combines postcolon...

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Main Author: Khaled Abkar Alkodimi
Format: Article
Language:English
Published: Taylor & Francis Group 2025-12-01
Series:Cogent Arts & Humanities
Subjects:
Online Access:https://www.tandfonline.com/doi/10.1080/23311983.2025.2548038
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author Khaled Abkar Alkodimi
author_facet Khaled Abkar Alkodimi
author_sort Khaled Abkar Alkodimi
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description Although set in a posthuman and predominantly metropolitan setting, Ishiguro’s Klara and the Sun deeply engages in postcolonial narrative discourse and its implications. This paper examines Ishiguro’s postcolonial stance in the novel. It argues that Ishiguro, in Klara and the Sun, combines postcolonial and posthuman narratives and themes to introduce the ‘subaltern’ and the ‘superior race’ of a futuristic posthuman society. In doing so, the narrative highlights the dangers and risks of the insufficiently examined advancement of technology which has led to such a phenomenon and significantly impacted human relationships. The story ostensibly describes a futuristic posthuman society, where only ‘genetically modified’ kids are at the top. The non-lifted kids, conversely, represent the subaltern, the inferior ‘others’ who are marginalized and deprived of most social and educational rights. Notably, the ‘interaction meeting’ at Josie’s house has been intricately developed as a narrative technique to highlight the social divide and discrimination based on genetic modification. As such, at this gathering, Rick appears to be the one who does not belong there as he is not a ‘lifted’ kid like the rest of them. Thus, he is being oppressed and treated as a subaltern. Later, we learn that Rick was unable to enter the university to pursue his studies due to his social status. Thus, by combining postcolonial and posthuman narratives Ishiguro ingeniously highlights genetic modification and its social implications, and by extension unpacks the dangers of unchecked technology that might dominate and alter the hierarchical social system in the long run.
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spelling doaj-art-4cb10aafb3fb4c10a82c6170b681bb3c2025-08-20T04:03:17ZengTaylor & Francis GroupCogent Arts & Humanities2331-19832025-12-0112110.1080/23311983.2025.2548038The subaltern, the superior race and the artificial friends: Ishiguro’s postcolonial perspective in Klara and the SunKhaled Abkar Alkodimi0Department of English Language and Literature, Imam Mohammad Ibn Saud Islamic University (IMSIU), Saudi ArabiaAlthough set in a posthuman and predominantly metropolitan setting, Ishiguro’s Klara and the Sun deeply engages in postcolonial narrative discourse and its implications. This paper examines Ishiguro’s postcolonial stance in the novel. It argues that Ishiguro, in Klara and the Sun, combines postcolonial and posthuman narratives and themes to introduce the ‘subaltern’ and the ‘superior race’ of a futuristic posthuman society. In doing so, the narrative highlights the dangers and risks of the insufficiently examined advancement of technology which has led to such a phenomenon and significantly impacted human relationships. The story ostensibly describes a futuristic posthuman society, where only ‘genetically modified’ kids are at the top. The non-lifted kids, conversely, represent the subaltern, the inferior ‘others’ who are marginalized and deprived of most social and educational rights. Notably, the ‘interaction meeting’ at Josie’s house has been intricately developed as a narrative technique to highlight the social divide and discrimination based on genetic modification. As such, at this gathering, Rick appears to be the one who does not belong there as he is not a ‘lifted’ kid like the rest of them. Thus, he is being oppressed and treated as a subaltern. Later, we learn that Rick was unable to enter the university to pursue his studies due to his social status. Thus, by combining postcolonial and posthuman narratives Ishiguro ingeniously highlights genetic modification and its social implications, and by extension unpacks the dangers of unchecked technology that might dominate and alter the hierarchical social system in the long run.https://www.tandfonline.com/doi/10.1080/23311983.2025.2548038Artificial FriendsKlara and the Sungenetically modifiedpostcolonial perspectiveposthumansubaltern
spellingShingle Khaled Abkar Alkodimi
The subaltern, the superior race and the artificial friends: Ishiguro’s postcolonial perspective in Klara and the Sun
Cogent Arts & Humanities
Artificial Friends
Klara and the Sun
genetically modified
postcolonial perspective
posthuman
subaltern
title The subaltern, the superior race and the artificial friends: Ishiguro’s postcolonial perspective in Klara and the Sun
title_full The subaltern, the superior race and the artificial friends: Ishiguro’s postcolonial perspective in Klara and the Sun
title_fullStr The subaltern, the superior race and the artificial friends: Ishiguro’s postcolonial perspective in Klara and the Sun
title_full_unstemmed The subaltern, the superior race and the artificial friends: Ishiguro’s postcolonial perspective in Klara and the Sun
title_short The subaltern, the superior race and the artificial friends: Ishiguro’s postcolonial perspective in Klara and the Sun
title_sort subaltern the superior race and the artificial friends ishiguro s postcolonial perspective in klara and the sun
topic Artificial Friends
Klara and the Sun
genetically modified
postcolonial perspective
posthuman
subaltern
url https://www.tandfonline.com/doi/10.1080/23311983.2025.2548038
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