Przezroczysta lekkość bytu – od Calvina do Bieńczyka

Transparency is one of physical esthetic categories that are used to describe literature and other arts. The main aim of this paper is to show how those esthetic categories are used on three levels: esthetic, performatively dramatic and philosophical in modern literature, theater, film and fine arts...

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Main Author: Monika Błaszczak
Format: Article
Language:Polish
Published: Adam Mickiewicz University 2016-06-01
Series:Przestrzenie Teorii
Subjects:
Online Access:http://pressto.amu.edu.pl/index.php/pt/article/view/6539
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author Monika Błaszczak
author_facet Monika Błaszczak
author_sort Monika Błaszczak
collection DOAJ
description Transparency is one of physical esthetic categories that are used to describe literature and other arts. The main aim of this paper is to show how those esthetic categories are used on three levels: esthetic, performatively dramatic and philosophical in modern literature, theater, film and fine arts. The starting point for those considerations are methods of Italo Calvino (“American lectures”) and Marek Bieńczyk (his collection of essays titled “Transparency”) . Calvino’s category of “transparency” (in his attempt to go beyond anthropocentric cognition with the author’s main question: “Is imagination an instrument of cognition?”) is contrasted with Marek Bieńczyk’s term of “transparency”, who has pointed out the positive aspects of paintings (which are not only giving a feeling of emptiness but also provide certainty of clarity and obviousness). In addition to these categories, lucidity and glassiness are featured and a crystal structure is summoned in the context of mistiness as its opposition.
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spelling doaj-art-4c8bc42ed9254a2ba7c3c47c44dcbaf82025-08-20T02:38:39ZpolAdam Mickiewicz UniversityPrzestrzenie Teorii1644-67632450-57652016-06-012517021010.14746/pt.2016.25.86416Przezroczysta lekkość bytu – od Calvina do BieńczykaMonika BłaszczakTransparency is one of physical esthetic categories that are used to describe literature and other arts. The main aim of this paper is to show how those esthetic categories are used on three levels: esthetic, performatively dramatic and philosophical in modern literature, theater, film and fine arts. The starting point for those considerations are methods of Italo Calvino (“American lectures”) and Marek Bieńczyk (his collection of essays titled “Transparency”) . Calvino’s category of “transparency” (in his attempt to go beyond anthropocentric cognition with the author’s main question: “Is imagination an instrument of cognition?”) is contrasted with Marek Bieńczyk’s term of “transparency”, who has pointed out the positive aspects of paintings (which are not only giving a feeling of emptiness but also provide certainty of clarity and obviousness). In addition to these categories, lucidity and glassiness are featured and a crystal structure is summoned in the context of mistiness as its opposition.http://pressto.amu.edu.pl/index.php/pt/article/view/6539przezroczystośćkategorie estetycznelekkośćszybkośćdokładnośćwielorakośćmglistośćświetlistośćszklistość
spellingShingle Monika Błaszczak
Przezroczysta lekkość bytu – od Calvina do Bieńczyka
Przestrzenie Teorii
przezroczystość
kategorie estetyczne
lekkość
szybkość
dokładność
wielorakość
mglistość
świetlistość
szklistość
title Przezroczysta lekkość bytu – od Calvina do Bieńczyka
title_full Przezroczysta lekkość bytu – od Calvina do Bieńczyka
title_fullStr Przezroczysta lekkość bytu – od Calvina do Bieńczyka
title_full_unstemmed Przezroczysta lekkość bytu – od Calvina do Bieńczyka
title_short Przezroczysta lekkość bytu – od Calvina do Bieńczyka
title_sort przezroczysta lekkosc bytu od calvina do bienczyka
topic przezroczystość
kategorie estetyczne
lekkość
szybkość
dokładność
wielorakość
mglistość
świetlistość
szklistość
url http://pressto.amu.edu.pl/index.php/pt/article/view/6539
work_keys_str_mv AT monikabłaszczak przezroczystalekkoscbytuodcalvinadobienczyka