“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN

In the assembly of the opera, Passacaglia represents an isle, in the same way in which the isle exists in the sea. Because of the fact that it is situated in the middle of the two scenes of this one, by the central position, it realizes the symmetric cut of the opera. On the podium, we can meet it...

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Main Author: Gabriela COCA
Format: Article
Language:English
Published: Babeș-Bolyai University 2014-06-01
Series:Studia Universitatis Babeş-Bolyai. Musica
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Online Access:https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8825
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author Gabriela COCA
author_facet Gabriela COCA
author_sort Gabriela COCA
collection DOAJ
description In the assembly of the opera, Passacaglia represents an isle, in the same way in which the isle exists in the sea. Because of the fact that it is situated in the middle of the two scenes of this one, by the central position, it realizes the symmetric cut of the opera. On the podium, we can meet it as an independent work. Musical-dramatic, Passacaglia, by basso ostinato and by the variations which are going on this sound basement, materialized the persistence of the fix idea in the mind of the main character. This studys shows the structural and dramaturgical analysis of this part of the opera entitled Peter Grimes.
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series Studia Universitatis Babeş-Bolyai. Musica
spelling doaj-art-4c824f00d2004862ab2445233668e7952025-02-11T11:00:59ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282014-06-01591“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTENGabriela COCA0https://orcid.org/0000-0002-9103-186XBabeş-Bolyai University, Cluj-Napoca, Romania, Reformed Theology and Musical Pedagogy Department. E-mail: gabriela_coca@yahoo.com In the assembly of the opera, Passacaglia represents an isle, in the same way in which the isle exists in the sea. Because of the fact that it is situated in the middle of the two scenes of this one, by the central position, it realizes the symmetric cut of the opera. On the podium, we can meet it as an independent work. Musical-dramatic, Passacaglia, by basso ostinato and by the variations which are going on this sound basement, materialized the persistence of the fix idea in the mind of the main character. This studys shows the structural and dramaturgical analysis of this part of the opera entitled Peter Grimes. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8825PassacagliaBenjamin BrittenoperaPeter Grimesstructuremusical-dramaturgy
spellingShingle Gabriela COCA
“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN
Studia Universitatis Babeş-Bolyai. Musica
Passacaglia
Benjamin Britten
opera
Peter Grimes
structure
musical-dramaturgy
title “PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN
title_full “PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN
title_fullStr “PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN
title_full_unstemmed “PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN
title_short “PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN
title_sort passacaglia in the opera of the 20ᵗʰ century the interlude no 4 from the opera peter grimes by benjamin britten
topic Passacaglia
Benjamin Britten
opera
Peter Grimes
structure
musical-dramaturgy
url https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8825
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