Violent Labour and the Labour of a Violent Genre
This article offers a symptomatic reading of the 2016 Western genre film Hell or High Water, analyzing first the film’s narration of the changes to the oil-based nuclear family in the wake of the 2008 Great Recession. The article finds in this version of the family a key example of grieving for mod...
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| Main Author: | Dylan Calmes |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Simon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ)
2025-07-01
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| Series: | Media Theory |
| Subjects: | |
| Online Access: | https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/1165 |
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