Mansilla y Darío entre postales : ¿celebridad o esnobismo ?

In March 1903, Rubén Dario writes in Paris a text about postcards for his usual collaboration with Argentinian newspaper La Nación, from Buenos Aires. A few months later, while visiting this city, Lucio V. Mansilla appears photographed in the magazine Caras y Caretas "answering postcards"....

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Main Author: Inés de Mendonça
Format: Article
Language:Spanish
Published: Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata 2017-10-01
Series:Cuadernos LIRICO
Subjects:
Online Access:https://journals.openedition.org/lirico/3678
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author Inés de Mendonça
author_facet Inés de Mendonça
author_sort Inés de Mendonça
collection DOAJ
description In March 1903, Rubén Dario writes in Paris a text about postcards for his usual collaboration with Argentinian newspaper La Nación, from Buenos Aires. A few months later, while visiting this city, Lucio V. Mansilla appears photographed in the magazine Caras y Caretas "answering postcards". Both complain about the new practice, described as a snobbish mania, a fashion, and a waste of time; however, they submit to it. Both, travelers and chronicle writers, have a legitimizing signature that gives them celebrity. In what position are they in to follow or condemn fashion? What does it mean to be "fashionable"? Is this pose, or their celebrity, a form of the criticized snobbery too? We propose to think about the contradictory relationship between distinction and popularity, and about both authors as oscillating figures: refractory, but also tempted into forms of snobbery, as a multiplied diversion from dandyism.
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spelling doaj-art-4b63ac645e764a9485ac8c9da19224492025-08-20T02:47:04ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392017-10-011610.4000/lirico.3678Mansilla y Darío entre postales : ¿celebridad o esnobismo ?Inés de MendonçaIn March 1903, Rubén Dario writes in Paris a text about postcards for his usual collaboration with Argentinian newspaper La Nación, from Buenos Aires. A few months later, while visiting this city, Lucio V. Mansilla appears photographed in the magazine Caras y Caretas "answering postcards". Both complain about the new practice, described as a snobbish mania, a fashion, and a waste of time; however, they submit to it. Both, travelers and chronicle writers, have a legitimizing signature that gives them celebrity. In what position are they in to follow or condemn fashion? What does it mean to be "fashionable"? Is this pose, or their celebrity, a form of the criticized snobbery too? We propose to think about the contradictory relationship between distinction and popularity, and about both authors as oscillating figures: refractory, but also tempted into forms of snobbery, as a multiplied diversion from dandyism.https://journals.openedition.org/lirico/3678Lucio V. MansillasnobberydandyismpostcardsRubén Darío
spellingShingle Inés de Mendonça
Mansilla y Darío entre postales : ¿celebridad o esnobismo ?
Cuadernos LIRICO
Lucio V. Mansilla
snobbery
dandyism
postcards
Rubén Darío
title Mansilla y Darío entre postales : ¿celebridad o esnobismo ?
title_full Mansilla y Darío entre postales : ¿celebridad o esnobismo ?
title_fullStr Mansilla y Darío entre postales : ¿celebridad o esnobismo ?
title_full_unstemmed Mansilla y Darío entre postales : ¿celebridad o esnobismo ?
title_short Mansilla y Darío entre postales : ¿celebridad o esnobismo ?
title_sort mansilla y dario entre postales celebridad o esnobismo
topic Lucio V. Mansilla
snobbery
dandyism
postcards
Rubén Darío
url https://journals.openedition.org/lirico/3678
work_keys_str_mv AT inesdemendonca mansillaydarioentrepostalescelebridadoesnobismo