António Lobo Antunes e Christine Angot – trauma, interdito e renovação do romance
This study aims at analyzing two novelistic works by contemporary authors, different in their representation of trauma and the forbiddance attached to it. In order to do so, we will analyze Os Cus de Judas (1979) by António Lobo Antunes (ALA), and Pourquoi le Brésil? (2002) by Christine Angot (CA)....
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Association Portugaise d'Etudes Françaises
2012-06-01
|
| Series: | Carnets |
| Subjects: | |
| Online Access: | https://journals.openedition.org/carnets/7900 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1850262337286569984 |
|---|---|
| author | Eunice Cabral |
| author_facet | Eunice Cabral |
| author_sort | Eunice Cabral |
| collection | DOAJ |
| description | This study aims at analyzing two novelistic works by contemporary authors, different in their representation of trauma and the forbiddance attached to it. In order to do so, we will analyze Os Cus de Judas (1979) by António Lobo Antunes (ALA), and Pourquoi le Brésil? (2002) by Christine Angot (CA). Despite de fact that there are no obvious similarities between the two novels - which are very different romanesque works (gender marked discourses, different urban sceneries, distinct chronological settings, etc.) - at least they have in common some trauma figurations that considerably challenge and renew the novel (the ALA’s novel tells us about the trauma of a colonial war whereas the CA’s novel deals with the trauma of incest). |
| format | Article |
| id | doaj-art-4ace1d70c82b46d79fec77c216de63ca |
| institution | OA Journals |
| issn | 1646-7698 |
| language | English |
| publishDate | 2012-06-01 |
| publisher | Association Portugaise d'Etudes Françaises |
| record_format | Article |
| series | Carnets |
| spelling | doaj-art-4ace1d70c82b46d79fec77c216de63ca2025-08-20T01:55:12ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982012-06-01429130110.4000/carnets.7900António Lobo Antunes e Christine Angot – trauma, interdito e renovação do romanceEunice CabralThis study aims at analyzing two novelistic works by contemporary authors, different in their representation of trauma and the forbiddance attached to it. In order to do so, we will analyze Os Cus de Judas (1979) by António Lobo Antunes (ALA), and Pourquoi le Brésil? (2002) by Christine Angot (CA). Despite de fact that there are no obvious similarities between the two novels - which are very different romanesque works (gender marked discourses, different urban sceneries, distinct chronological settings, etc.) - at least they have in common some trauma figurations that considerably challenge and renew the novel (the ALA’s novel tells us about the trauma of a colonial war whereas the CA’s novel deals with the trauma of incest).https://journals.openedition.org/carnets/7900TraumaForbiddanceRenovation of the contemporary novel |
| spellingShingle | Eunice Cabral António Lobo Antunes e Christine Angot – trauma, interdito e renovação do romance Carnets Trauma Forbiddance Renovation of the contemporary novel |
| title | António Lobo Antunes e Christine Angot – trauma, interdito e renovação do romance |
| title_full | António Lobo Antunes e Christine Angot – trauma, interdito e renovação do romance |
| title_fullStr | António Lobo Antunes e Christine Angot – trauma, interdito e renovação do romance |
| title_full_unstemmed | António Lobo Antunes e Christine Angot – trauma, interdito e renovação do romance |
| title_short | António Lobo Antunes e Christine Angot – trauma, interdito e renovação do romance |
| title_sort | antonio lobo antunes e christine angot trauma interdito e renovacao do romance |
| topic | Trauma Forbiddance Renovation of the contemporary novel |
| url | https://journals.openedition.org/carnets/7900 |
| work_keys_str_mv | AT eunicecabral antonioloboantunesechristineangottraumainterditoerenovacaodoromance |