God, She is Beautiful... The Disturbing Representation of Women in Hannah and her Sisters

This paper discusses the ideological scope of Woody Allen's Hannah and  Her Sisters (1986) in relation to gender and sexual difference within  American postmodernism —the cultural phenomenon in which Woody Allen  has been inscribed. The analysis uses a theoretical framework derived from  femin...

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Bibliographic Details
Main Author: Hilaria Loyo
Format: Article
Language:English
Published: Universidad de Zaragoza 1994-12-01
Series:Miscelánea: A Journal of English and American Studies
Online Access:https://papiro.unizar.es/ojs/index.php/misc/article/view/11750
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