God, She is Beautiful... The Disturbing Representation of Women in Hannah and her Sisters
This paper discusses the ideological scope of Woody Allen's Hannah and Her Sisters (1986) in relation to gender and sexual difference within American postmodernism —the cultural phenomenon in which Woody Allen has been inscribed. The analysis uses a theoretical framework derived from femin...
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| Format: | Article |
| Language: | English |
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Universidad de Zaragoza
1994-12-01
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| Series: | Miscelánea: A Journal of English and American Studies |
| Online Access: | https://papiro.unizar.es/ojs/index.php/misc/article/view/11750 |
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