“Living the Dying Inside”: Writing Violence in Toni Morrison’s A Mercy

Defining the writing of violence in Toni Morrison’s A Mercy (2008) means conceiving of a poetics of abandonment in a text where the act of reading must supplement the failings of language. “Buried,” violence is the repressed at the heart of trauma; it is part and parcel of memory. The text mimics th...

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Main Author: Claudine Raynaud
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2017-03-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/5053
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author Claudine Raynaud
author_facet Claudine Raynaud
author_sort Claudine Raynaud
collection DOAJ
description Defining the writing of violence in Toni Morrison’s A Mercy (2008) means conceiving of a poetics of abandonment in a text where the act of reading must supplement the failings of language. “Buried,” violence is the repressed at the heart of trauma; it is part and parcel of memory. The text mimics the resurgence of traumatic images, their compulsive repetition to signify the splitting of the subject, between gift and debt against the background of enslavement. The scene of violence with the foundling Malaik replays the insufferable of loss and expulsion, a veritable erasure from language. Florens’s dream “dreams back”: the awakening at the heart of her dream is the very site of trauma (Caruth). Symbolically, like the Native American ritual corn-husk dolls, a faceless daughter faces an inaudible mother. Reading becomes the site of the missed encounter with the Real to “tell” the trauma and performs the mother-daughter link.
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spelling doaj-art-484a8bd76e764b6ebce91c4932a2eb9b2025-01-30T13:47:21ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022017-03-012210.4000/sillagescritiques.5053“Living the Dying Inside”: Writing Violence in Toni Morrison’s A MercyClaudine RaynaudDefining the writing of violence in Toni Morrison’s A Mercy (2008) means conceiving of a poetics of abandonment in a text where the act of reading must supplement the failings of language. “Buried,” violence is the repressed at the heart of trauma; it is part and parcel of memory. The text mimics the resurgence of traumatic images, their compulsive repetition to signify the splitting of the subject, between gift and debt against the background of enslavement. The scene of violence with the foundling Malaik replays the insufferable of loss and expulsion, a veritable erasure from language. Florens’s dream “dreams back”: the awakening at the heart of her dream is the very site of trauma (Caruth). Symbolically, like the Native American ritual corn-husk dolls, a faceless daughter faces an inaudible mother. Reading becomes the site of the missed encounter with the Real to “tell” the trauma and performs the mother-daughter link.https://journals.openedition.org/sillagescritiques/5053TraumaCathy CaruthToni MorrisonA MercyLanguageViolence
spellingShingle Claudine Raynaud
“Living the Dying Inside”: Writing Violence in Toni Morrison’s A Mercy
Sillages Critiques
Trauma
Cathy Caruth
Toni Morrison
A Mercy
Language
Violence
title “Living the Dying Inside”: Writing Violence in Toni Morrison’s A Mercy
title_full “Living the Dying Inside”: Writing Violence in Toni Morrison’s A Mercy
title_fullStr “Living the Dying Inside”: Writing Violence in Toni Morrison’s A Mercy
title_full_unstemmed “Living the Dying Inside”: Writing Violence in Toni Morrison’s A Mercy
title_short “Living the Dying Inside”: Writing Violence in Toni Morrison’s A Mercy
title_sort living the dying inside writing violence in toni morrison s a mercy
topic Trauma
Cathy Caruth
Toni Morrison
A Mercy
Language
Violence
url https://journals.openedition.org/sillagescritiques/5053
work_keys_str_mv AT claudineraynaud livingthedyinginsidewritingviolenceintonimorrisonsamercy