ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU

Three pieces for clarinet solo by Cornel Țăranu carry the compositional impression of the ‘80s highlighting a perfect – micro and macrostructural – balance between construction and freedom. The first piece, Toccata ostinato, builds arrhythmic ostinato on a repeated sound, in alternation with a melo...

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Main Author: Cristian BENCE-MUK
Format: Article
Language:English
Published: Babeș-Bolyai University 2013-06-01
Series:Studia Universitatis Babeş-Bolyai. Musica
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Online Access:https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8883
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author Cristian BENCE-MUK
author_facet Cristian BENCE-MUK
author_sort Cristian BENCE-MUK
collection DOAJ
description Three pieces for clarinet solo by Cornel Țăranu carry the compositional impression of the ‘80s highlighting a perfect – micro and macrostructural – balance between construction and freedom. The first piece, Toccata ostinato, builds arrhythmic ostinato on a repeated sound, in alternation with a melodic “pattern” of modal-chromatic essence. The second piece, Improvisazione, was written long time before the other two and represents a median contrast, where the sonorous discourse is delivered in a quasi-improvisational development. The third piece, Cadenza, is based on a nucleous made up of (major and minor) second and augmented fourth, transposed and built on various sounds, serving to an expressivity close to that of the lament, suggestively presented by the descending glissando.
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publishDate 2013-06-01
publisher Babeș-Bolyai University
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series Studia Universitatis Babeş-Bolyai. Musica
spelling doaj-art-47c42f7f329c4ad6b42576e75fcac6962025-02-11T11:01:11ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282013-06-01581ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANUCristian BENCE-MUK0https://orcid.org/0000-0002-9045-1088"Gheorghe Dima" Academy of Music, Cluj-Napoca, Romania. Email: cristi_bence@yahoo.com Three pieces for clarinet solo by Cornel Țăranu carry the compositional impression of the ‘80s highlighting a perfect – micro and macrostructural – balance between construction and freedom. The first piece, Toccata ostinato, builds arrhythmic ostinato on a repeated sound, in alternation with a melodic “pattern” of modal-chromatic essence. The second piece, Improvisazione, was written long time before the other two and represents a median contrast, where the sonorous discourse is delivered in a quasi-improvisational development. The third piece, Cadenza, is based on a nucleous made up of (major and minor) second and augmented fourth, transposed and built on various sounds, serving to an expressivity close to that of the lament, suggestively presented by the descending glissando. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8883clarinetcreationcontemporarynucleouselaborationreprise
spellingShingle Cristian BENCE-MUK
ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU
Studia Universitatis Babeş-Bolyai. Musica
clarinet
creation
contemporary
nucleous
elaboration
reprise
title ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU
title_full ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU
title_fullStr ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU
title_full_unstemmed ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU
title_short ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU
title_sort analytical journeys in three pieces for clarinet solo by cornel taranu
topic clarinet
creation
contemporary
nucleous
elaboration
reprise
url https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8883
work_keys_str_mv AT cristianbencemuk analyticaljourneysinthreepiecesforclarinetsolobycorneltaranu