Rendite della storia: luoghi di cultura nella modernizzazione novecentesca (1890-1966)

During the first half of the 20th century, cultural institutions in Venice were directly involved in modernizing the city: opposing political and cultural positions often went parallel to reinventing Venice through the restoration of its ancient facade, educational use of the past, political manipul...

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Main Author: Filippo Maria Paladini
Format: Article
Language:fra
Published: École Normale Supérieure de Lyon Editions 2014-12-01
Series:Laboratoire Italien
Online Access:https://journals.openedition.org/laboratoireitalien/840
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author Filippo Maria Paladini
author_facet Filippo Maria Paladini
author_sort Filippo Maria Paladini
collection DOAJ
description During the first half of the 20th century, cultural institutions in Venice were directly involved in modernizing the city: opposing political and cultural positions often went parallel to reinventing Venice through the restoration of its ancient facade, educational use of the past, political manipulation of history and, at the same time, investments in contemporary art and the development of mass tourism. Further venetian cultural vitality after World War II until 1966 was supported by the recovery of the previous model: investments in tourism and mass culture, but in a new situation of co-existence between traditionalism, avant-garde art and efforts to establish a renewed dialogue between academics and urban society as well as between Venice and the world. However, historical judgment should be expressed in light of the outcome of the latest season and looking at today’s situation, where the touristic colonization of Venice affects city’s cultural institutions too.
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spelling doaj-art-478a20746ea7409cbff34a2a6eb7393e2025-08-20T02:47:03ZfraÉcole Normale Supérieure de Lyon EditionsLaboratoire Italien1627-92042117-49702014-12-011513514610.4000/laboratoireitalien.840Rendite della storia: luoghi di cultura nella modernizzazione novecentesca (1890-1966)Filippo Maria PaladiniDuring the first half of the 20th century, cultural institutions in Venice were directly involved in modernizing the city: opposing political and cultural positions often went parallel to reinventing Venice through the restoration of its ancient facade, educational use of the past, political manipulation of history and, at the same time, investments in contemporary art and the development of mass tourism. Further venetian cultural vitality after World War II until 1966 was supported by the recovery of the previous model: investments in tourism and mass culture, but in a new situation of co-existence between traditionalism, avant-garde art and efforts to establish a renewed dialogue between academics and urban society as well as between Venice and the world. However, historical judgment should be expressed in light of the outcome of the latest season and looking at today’s situation, where the touristic colonization of Venice affects city’s cultural institutions too.https://journals.openedition.org/laboratoireitalien/840
spellingShingle Filippo Maria Paladini
Rendite della storia: luoghi di cultura nella modernizzazione novecentesca (1890-1966)
Laboratoire Italien
title Rendite della storia: luoghi di cultura nella modernizzazione novecentesca (1890-1966)
title_full Rendite della storia: luoghi di cultura nella modernizzazione novecentesca (1890-1966)
title_fullStr Rendite della storia: luoghi di cultura nella modernizzazione novecentesca (1890-1966)
title_full_unstemmed Rendite della storia: luoghi di cultura nella modernizzazione novecentesca (1890-1966)
title_short Rendite della storia: luoghi di cultura nella modernizzazione novecentesca (1890-1966)
title_sort rendite della storia luoghi di cultura nella modernizzazione novecentesca 1890 1966
url https://journals.openedition.org/laboratoireitalien/840
work_keys_str_mv AT filippomariapaladini renditedellastorialuoghidiculturanellamodernizzazionenovecentesca18901966