Le scribe de l’avenir. Mélancolie, narrativité et survivance dans les carnets de tournage d’Hiroshima mon amour de Sylvette Baudrot
In this article I propose to analyze certain formal and rhetorical aspects of the shooting diary of Hiroshima mon amour by Sylvette Baudrot. In particular, I would like to analyze how this shooting diary creates a space where different forms of melancholy and paradoxical narratives can coexist. The...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
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Université de Bourgogne
2024-12-01
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| Series: | Interfaces |
| Subjects: | |
| Online Access: | https://journals.openedition.org/interfaces/9942 |
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| Summary: | In this article I propose to analyze certain formal and rhetorical aspects of the shooting diary of Hiroshima mon amour by Sylvette Baudrot. In particular, I would like to analyze how this shooting diary creates a space where different forms of melancholy and paradoxical narratives can coexist. The analysis of the effects that this shooting diary aims to produce in the reader, makes it possible to define the figure of an author assuming a particular ethical posture: that of an artisan of stories who meticulously prepares the new world while erasing herself, “a scribe of the future”, like Melville’s Bartleby. |
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| ISSN: | 2647-6754 |