Le Teatro Popular Infantil de Pilar Enciso et Lauro Olmo : expériences pionnières et réception politique du théâtre pour enfants dans l’Espagne des années 1950 et 1960.
Starting in the 1960s in Spain, in the face of censorship and the overwhelming monopoly of institutional theater, playwrights of social realism and independent theater tried to envision youth theater as a space of subversion, refusing to give way to a desire to assimilate dissident aesthetics by Fra...
Saved in:
| Main Author: | Simon Arnaud |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Association Française de Recherche sur les Livres et les Objets Culturels de l’Enfance (AFRELOCE)
2020-06-01
|
| Series: | Strenae |
| Subjects: | |
| Online Access: | https://journals.openedition.org/strenae/4602 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
« Girasol Teatro », un projet éditorial audacieux dans l’Espagne des années 1960
by: Simon Arnaud
Published: (2016-10-01) -
El teatro mapuche escrito en femenino
by: Gonzalo Toledo Albornoz
Published: (2023-03-01) -
Teatro brasileiro e censura no governo Bolsonaro
by: Gabriela Lirio
Published: (2023-03-01) -
Migrants, réfugiés et démarches néo-documentaires du théâtre grec contemporain
by: Zoé Ververopoulou
Published: (2024-10-01) -
Censorship or the Limits of Representation in Terrence McNally’s Gay Theatre at the End of the 20th Century
by: Xavier Lemoine
Published: (2013-11-01)