Le corps comme cadre et surface de projection chez Gina Pane et Pier Paolo Pasolini
This article focuses on the conception of frame elaborated by Pier Paolo Pasolini and Gina Pane in their respective works. It is first of all a matter of observing the role of the projection device in the genesis of their relationship to framing. Between body-image and plan-picture, their cuttings r...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2022-12-01
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | https://journals.openedition.org/imagesrevues/12581 |
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