Le corps comme cadre et surface de projection chez Gina Pane et Pier Paolo Pasolini
This article focuses on the conception of frame elaborated by Pier Paolo Pasolini and Gina Pane in their respective works. It is first of all a matter of observing the role of the projection device in the genesis of their relationship to framing. Between body-image and plan-picture, their cuttings r...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2022-12-01
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | https://journals.openedition.org/imagesrevues/12581 |
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| Summary: | This article focuses on the conception of frame elaborated by Pier Paolo Pasolini and Gina Pane in their respective works. It is first of all a matter of observing the role of the projection device in the genesis of their relationship to framing. Between body-image and plan-picture, their cuttings result from a “projective thought” which is also observed as a psychic mechanism. This self-reflexive dimension of the projective paradigm is then observed through a study of the use, by the two artists, of shadow and reflection, of glass and of mirror, as psychic and social, mnemonic and transformative mechanisms. |
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| ISSN: | 1778-3801 |