Il cinema italiano del secondo dopoguerra e la controversa questione della discontinuità: nuove strade, antichi territori?
The article focuses on the Italian cinema in building collective memory in post-war transitional phase. It tackles neorealist humanism and descriptive style, together with its obliteration of Fascism. These features contribute to ‘cultural trauma’: a symbolic activity reshaping c...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
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Viella Editrice
2022-01-01
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| Series: | Storicamente |
| Subjects: | |
| Online Access: | https://storicamente.org/pitassio_cinema_italiano_dopoguerre |
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| Summary: | The article focuses on the Italian cinema in building collective memory in post-war transitional phase. It tackles neorealist humanism and descriptive style, together with its obliteration of Fascism. These features contribute to ‘cultural trauma’: a symbolic activity reshaping collective identity. Finally, the article scrutinizes non-fiction works representing a contested area, in political and historical terms: Trieste. This final pace sheds light on the degree of diffusion of cultural trauma and clarifies how the concealment of Fascism operated as parapraxis. |
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| ISSN: | 2282-6033 |