La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX
The analysis of three plays, Gris de Ausencia (1981) written by Roberto Cossa , Y el mundo vendrá (1989) by Eduardo Rovner and Lejos de aquí (1993) co-written by Roberto Cossa and Mauricio Kartun, will show that the sainete and the sainete-influenced comedy of the early XXth century stage quite eff...
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Language: | Spanish |
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Groupe de Recherche Amérique Latine Histoire et Mémoire
2009-12-01
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Series: | Les Cahiers ALHIM |
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Online Access: | https://journals.openedition.org/alhim/3332 |
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author | Marina Sikora |
author_facet | Marina Sikora |
author_sort | Marina Sikora |
collection | DOAJ |
description | The analysis of three plays, Gris de Ausencia (1981) written by Roberto Cossa , Y el mundo vendrá (1989) by Eduardo Rovner and Lejos de aquí (1993) co-written by Roberto Cossa and Mauricio Kartun, will show that the sainete and the sainete-influenced comedy of the early XXth century stage quite efficiently the social realities of the sixties in Argentina. These types of theatre, popular in the early representation of the immigrant phenomenon, function as the metaphor of the rise of the middle class. As the above mentioned authors re-write the sainete, their goal is to represent the opposite effect of that in the 1920’s, their plays showing the decadence of the early social model. |
format | Article |
id | doaj-art-45738253f8d8404d8b1f66b05df5beb1 |
institution | Kabale University |
issn | 1628-6731 1777-5175 |
language | Spanish |
publishDate | 2009-12-01 |
publisher | Groupe de Recherche Amérique Latine Histoire et Mémoire |
record_format | Article |
series | Les Cahiers ALHIM |
spelling | doaj-art-45738253f8d8404d8b1f66b05df5beb12025-01-10T14:55:32ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752009-12-011810.4000/alhim.3332La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XXMarina SikoraThe analysis of three plays, Gris de Ausencia (1981) written by Roberto Cossa , Y el mundo vendrá (1989) by Eduardo Rovner and Lejos de aquí (1993) co-written by Roberto Cossa and Mauricio Kartun, will show that the sainete and the sainete-influenced comedy of the early XXth century stage quite efficiently the social realities of the sixties in Argentina. These types of theatre, popular in the early representation of the immigrant phenomenon, function as the metaphor of the rise of the middle class. As the above mentioned authors re-write the sainete, their goal is to represent the opposite effect of that in the 1920’s, their plays showing the decadence of the early social model.https://journals.openedition.org/alhim/3332Roberto Cossainmigrant’s image in Argentine theatresainete-influenced comedyEduardo RovnerMauricio Kartun |
spellingShingle | Marina Sikora La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX Les Cahiers ALHIM Roberto Cossa inmigrant’s image in Argentine theatre sainete-influenced comedy Eduardo Rovner Mauricio Kartun |
title | La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX |
title_full | La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX |
title_fullStr | La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX |
title_full_unstemmed | La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX |
title_short | La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX |
title_sort | la reversion de la figura del inmigrante y del porteno en las ultimas decadas del siglo xx |
topic | Roberto Cossa inmigrant’s image in Argentine theatre sainete-influenced comedy Eduardo Rovner Mauricio Kartun |
url | https://journals.openedition.org/alhim/3332 |
work_keys_str_mv | AT marinasikora lareversiondelafiguradelinmigranteydelportenoenlasultimasdecadasdelsigloxx |