La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX

The analysis of three plays, Gris de Ausencia (1981) written by Roberto Cossa , Y el mundo vendrá (1989) by Eduardo Rovner and Lejos de aquí (1993) co-written by  Roberto Cossa and Mauricio Kartun, will show that the sainete and the sainete-influenced comedy of the early XXth century stage quite eff...

Full description

Saved in:
Bibliographic Details
Main Author: Marina Sikora
Format: Article
Language:Spanish
Published: Groupe de Recherche Amérique Latine Histoire et Mémoire 2009-12-01
Series:Les Cahiers ALHIM
Subjects:
Online Access:https://journals.openedition.org/alhim/3332
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1841547095445602304
author Marina Sikora
author_facet Marina Sikora
author_sort Marina Sikora
collection DOAJ
description The analysis of three plays, Gris de Ausencia (1981) written by Roberto Cossa , Y el mundo vendrá (1989) by Eduardo Rovner and Lejos de aquí (1993) co-written by  Roberto Cossa and Mauricio Kartun, will show that the sainete and the sainete-influenced comedy of the early XXth century stage quite efficiently the social realities of the sixties in Argentina. These types of theatre, popular in the early representation of the immigrant phenomenon, function as the metaphor of the rise of the middle class. As the above mentioned authors re-write the sainete, their goal is to represent the opposite effect of that in the 1920’s, their plays showing the decadence of the early social model.
format Article
id doaj-art-45738253f8d8404d8b1f66b05df5beb1
institution Kabale University
issn 1628-6731
1777-5175
language Spanish
publishDate 2009-12-01
publisher Groupe de Recherche Amérique Latine Histoire et Mémoire
record_format Article
series Les Cahiers ALHIM
spelling doaj-art-45738253f8d8404d8b1f66b05df5beb12025-01-10T14:55:32ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752009-12-011810.4000/alhim.3332La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XXMarina SikoraThe analysis of three plays, Gris de Ausencia (1981) written by Roberto Cossa , Y el mundo vendrá (1989) by Eduardo Rovner and Lejos de aquí (1993) co-written by  Roberto Cossa and Mauricio Kartun, will show that the sainete and the sainete-influenced comedy of the early XXth century stage quite efficiently the social realities of the sixties in Argentina. These types of theatre, popular in the early representation of the immigrant phenomenon, function as the metaphor of the rise of the middle class. As the above mentioned authors re-write the sainete, their goal is to represent the opposite effect of that in the 1920’s, their plays showing the decadence of the early social model.https://journals.openedition.org/alhim/3332Roberto Cossainmigrant’s image in Argentine theatresainete-influenced comedyEduardo RovnerMauricio Kartun
spellingShingle Marina Sikora
La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX
Les Cahiers ALHIM
Roberto Cossa
inmigrant’s image in Argentine theatre
sainete-influenced comedy
Eduardo Rovner
Mauricio Kartun
title La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX
title_full La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX
title_fullStr La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX
title_full_unstemmed La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX
title_short La reversión de la figura del inmigrante y del porteño en las últimas décadas del siglo XX
title_sort la reversion de la figura del inmigrante y del porteno en las ultimas decadas del siglo xx
topic Roberto Cossa
inmigrant’s image in Argentine theatre
sainete-influenced comedy
Eduardo Rovner
Mauricio Kartun
url https://journals.openedition.org/alhim/3332
work_keys_str_mv AT marinasikora lareversiondelafiguradelinmigranteydelportenoenlasultimasdecadasdelsigloxx