Le « trio » de farceurs de l’Hôtel de Bourgogne. Penser la construction du collectif théâtral
In this paper we focus on the case of the « trio de l’Hôtel de Bourgogne » to consider the construction of theatrical community by writing, and to understand why three comedians (Gros Guillaume, Gaultier-Garguille and Turlupin) embodie the seventeenth-century French farce in the history of theater....
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| Format: | Article |
| Language: | fra |
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Groupe de Recherches Interdisciplinaires sur l'Histoire du Littéraire
2021-11-01
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| Series: | Les Dossiers du GRIHL |
| Subjects: | |
| Online Access: | https://journals.openedition.org/dossiersgrihl/9262 |
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| Summary: | In this paper we focus on the case of the « trio de l’Hôtel de Bourgogne » to consider the construction of theatrical community by writing, and to understand why three comedians (Gros Guillaume, Gaultier-Garguille and Turlupin) embodie the seventeenth-century French farce in the history of theater. Different from a « troupe » as a social configuration, the picture of the « trio » is built by various literary writings which particularize this group. Most of them were published from Gaultier-Garguille’s death, in Decembre 1633: the « trio » appears like the result of a generation effect and a funeral celebration. With this case, this article aims to think the articulation of individual and collective by studying the mechanisms of stardom with publishing. |
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| ISSN: | 1958-9247 |