Le monologue racinien ou l’impossible dialogue
In the majority of Racine’s plays, we find monologues, scenes where a character stands alone and talks to himself. It would be interesting to see to what extent we can talk alone, knowing that by definition, talking is meant for communicating. The character, probably unable to accept the fact of tal...
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| Main Author: | |
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| Format: | Article |
| Language: | fra |
| Published: |
Université Abderrahmane Mira
2014-12-01
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| Series: | Multilinguales |
| Subjects: | |
| Online Access: | https://journals.openedition.org/multilinguales/1187 |
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| Summary: | In the majority of Racine’s plays, we find monologues, scenes where a character stands alone and talks to himself. It would be interesting to see to what extent we can talk alone, knowing that by definition, talking is meant for communicating. The character, probably unable to accept the fact of talking alone, imagines real or imaginary addresses. The communication scheme is thus deviated from its initial characteristics and we notice a real play of personal pronouns designating various communication poles, swinging between a chameleon "I" and a volatile "you". |
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| ISSN: | 2335-1535 2335-1853 |