“Art Has No Power over Schein through Its Abolition”
Theodor Adorno’s aesthetics takes up the German Idealist and Romantic idea of “Schein” – the “beautiful illusion” characteristic of authentic art – and reinterprets it through the lens of his own very particular kind of dialectical Marxism. Unlike his friend, Walter Benjamin, who welcomed the overc...
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| Format: | Article |
| Language: | ces |
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Institute of Philosophy SAS, v.v.i.
2025-04-01
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| Series: | Filozofia |
| Subjects: | |
| Online Access: | https://journals.savba.sk/index.php/filozofia/article/view/4197 |
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