Marlowe's Reading of Machiavelli and Anne Dowriche's The French Historie<

The history of the Massacre at Paris is well-known. Typically, the conclusions drawn by the quick and often reactionary readings of the play have been unfairly scornful. The disparaging attitude towards Marlowe’s piece is bizarre when we consider that The Massacre was the highest grossing play of th...

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Main Author: Joseph Khoury
Format: Article
Language:English
Published: Sheffield Hallam University 2025-06-01
Series:Journal of Marlowe Studies
Online Access:https://journals.shu.ac.uk/index.php/Marlstud/article/view/435
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author Joseph Khoury
author_facet Joseph Khoury
author_sort Joseph Khoury
collection DOAJ
description The history of the Massacre at Paris is well-known. Typically, the conclusions drawn by the quick and often reactionary readings of the play have been unfairly scornful. The disparaging attitude towards Marlowe’s piece is bizarre when we consider that The Massacre was the highest grossing play of the season for Lord Strange’s Men, and today it seems to be disparaged more by critics than audiences or theatre professionals, as the few performances have shown. My purpose is not to rehash these important arguments but rather to show that Marlowe has in fact thoughtfully but radically presented an important historical document that deals with what then was the most shattering event to have shaken Europe. Marlowe saw that a radical event requires a radical presentation—his play should be understood as a simulacrum of the French massacre. This is an approach to the event that I will argue is based on several elements, including his reading of an important source for the play that has only recently been acknowledged, Anne Dowriche’s The French Historie.
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spelling doaj-art-41ae0f9ea07040f891bb2d1c411848042025-08-20T03:29:21ZengSheffield Hallam UniversityJournal of Marlowe Studies2516-421X2025-06-01513616310.7190/jms.5.2025.pp136-163Marlowe's Reading of Machiavelli and Anne Dowriche's The French Historie<Joseph Khoury0St Francis Xavier UniversityThe history of the Massacre at Paris is well-known. Typically, the conclusions drawn by the quick and often reactionary readings of the play have been unfairly scornful. The disparaging attitude towards Marlowe’s piece is bizarre when we consider that The Massacre was the highest grossing play of the season for Lord Strange’s Men, and today it seems to be disparaged more by critics than audiences or theatre professionals, as the few performances have shown. My purpose is not to rehash these important arguments but rather to show that Marlowe has in fact thoughtfully but radically presented an important historical document that deals with what then was the most shattering event to have shaken Europe. Marlowe saw that a radical event requires a radical presentation—his play should be understood as a simulacrum of the French massacre. This is an approach to the event that I will argue is based on several elements, including his reading of an important source for the play that has only recently been acknowledged, Anne Dowriche’s The French Historie.https://journals.shu.ac.uk/index.php/Marlstud/article/view/435
spellingShingle Joseph Khoury
Marlowe's Reading of Machiavelli and Anne Dowriche's The French Historie<
Journal of Marlowe Studies
title Marlowe's Reading of Machiavelli and Anne Dowriche's The French Historie<
title_full Marlowe's Reading of Machiavelli and Anne Dowriche's The French Historie<
title_fullStr Marlowe's Reading of Machiavelli and Anne Dowriche's The French Historie<
title_full_unstemmed Marlowe's Reading of Machiavelli and Anne Dowriche's The French Historie<
title_short Marlowe's Reading of Machiavelli and Anne Dowriche's The French Historie<
title_sort marlowe s reading of machiavelli and anne dowriche s the french historie
url https://journals.shu.ac.uk/index.php/Marlstud/article/view/435
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